Beyond Representation in Contemporary Caribbean Art offers an innovative and systematic analysis of contemporary Caribbean art practices in the Francophone, Anglophone, and Hispanic Caribbean. Focusing on a broad range of artistic projects, the book assesses the potential of visual creativity to outline a unique approach to Caribbean visual practices based on individual and collective agency.
Beyond Representation in Contemporary Caribbean Art offers an innovative and systematic analysis of contemporary Caribbean art practices in the Francophone, Anglophone, and Hispanic Caribbean. Focusing on a broad range of artistic projects, the book assesses the potential of visual creativity to outline a unique approach to Caribbean visual practices based on individual and collective agency.
Carlos Garrido Castellano is a lecturer at the Spanish, Portuguese, and Latin American Studies Department at Cork University in Cork, Ireland and a researcher at the University Lisbon in Portugal.
Inhaltsangabe
Contents Introduction 1 Being Here and There. Curatorial-specific Approaches to Caribbean Reality 2 Caribbean Art Institutions, Critique and the Public Sphere 3 Art Melting in Site-Specificity. Performance Art and Public Space in the Dominican Republic 4 Towards a Diasporic Counterstreaming Caribbean Imagination 5 Subversive Alliances. Collaborative Agency beyond Representation Coda: Artistic Agency, Space, and the Praxis of Caribbean Studies Bibliography Index
Contents Introduction 1 Being Here and There. Curatorial-specific Approaches to Caribbean Reality 2 Caribbean Art Institutions, Critique and the Public Sphere 3 Art Melting in Site-Specificity. Performance Art and Public Space in the Dominican Republic 4 Towards a Diasporic Counterstreaming Caribbean Imagination 5 Subversive Alliances. Collaborative Agency beyond Representation Coda: Artistic Agency, Space, and the Praxis of Caribbean Studies Bibliography Index
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