Kristin Hausler (British Institute of International and Comparative, Elke Selter (Switzerland ALIPH)Exploring the Stories of Cultural Objects After Their Return
Beyond Restitution
Exploring the Stories of Cultural Objects After Their Return
Herausgeber: Redmond-Cooper, Ruth
Kristin Hausler (British Institute of International and Comparative, Elke Selter (Switzerland ALIPH)Exploring the Stories of Cultural Objects After Their Return
Beyond Restitution
Exploring the Stories of Cultural Objects After Their Return
Herausgeber: Redmond-Cooper, Ruth
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Offers a unique perspective on the repatriation of cultural objects by focusing on the aftermath of the return processes.
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Offers a unique perspective on the repatriation of cultural objects by focusing on the aftermath of the return processes.
Produktdetails
- Produktdetails
- The Art Law Library
- Verlag: Bloomsbury Publishing PLC
- Seitenzahl: 220
- Erscheinungstermin: 1. August 2025
- Englisch
- Abmessung: 240mm x 161mm x 17mm
- Gewicht: 490g
- ISBN-13: 9781509982523
- ISBN-10: 1509982523
- Artikelnr.: 72488132
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- The Art Law Library
- Verlag: Bloomsbury Publishing PLC
- Seitenzahl: 220
- Erscheinungstermin: 1. August 2025
- Englisch
- Abmessung: 240mm x 161mm x 17mm
- Gewicht: 490g
- ISBN-13: 9781509982523
- ISBN-10: 1509982523
- Artikelnr.: 72488132
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Kristin Hausler is the Dorset Senior Fellow and Director of the Centre for International Law at the British Institute of International and Comparative Law, UK. Elke Selter is Director of Programs at ALIPH, the International Alliance for the Protection of Heritage in Conflict Areas, Switzerland.
Foreword
1. Introduction: Looking Back to Move Forward
2. From Stockholm Back to Haisla Ancestral Territory: A Totem Pole Returns
Home
3. A Two-step Process Towards Community Return: The Return of a Stolen Idol
to Nepal
4. From Wales to Chile: The Return of Church Bells
5. Museums in the Lead: 'Crossed Deposits' between France and Cambodia
6. Returns and Reparations: Namibian Objects Returned by Germany
7. The Need for Provenance Research: The Return of a Dagger from the
Netherlands to Indonesia
8. The Return of the Makonde Mask from Switzerland to Tanzania: The Role of
Third Parties in the Return of Cultural Objects
9. Conclusion: Lessons Learnt from Past Return Processes
1. Introduction: Looking Back to Move Forward
2. From Stockholm Back to Haisla Ancestral Territory: A Totem Pole Returns
Home
3. A Two-step Process Towards Community Return: The Return of a Stolen Idol
to Nepal
4. From Wales to Chile: The Return of Church Bells
5. Museums in the Lead: 'Crossed Deposits' between France and Cambodia
6. Returns and Reparations: Namibian Objects Returned by Germany
7. The Need for Provenance Research: The Return of a Dagger from the
Netherlands to Indonesia
8. The Return of the Makonde Mask from Switzerland to Tanzania: The Role of
Third Parties in the Return of Cultural Objects
9. Conclusion: Lessons Learnt from Past Return Processes
Foreword
1. Introduction: Looking Back to Move Forward
2. From Stockholm Back to Haisla Ancestral Territory: A Totem Pole Returns
Home
3. A Two-step Process Towards Community Return: The Return of a Stolen Idol
to Nepal
4. From Wales to Chile: The Return of Church Bells
5. Museums in the Lead: 'Crossed Deposits' between France and Cambodia
6. Returns and Reparations: Namibian Objects Returned by Germany
7. The Need for Provenance Research: The Return of a Dagger from the
Netherlands to Indonesia
8. The Return of the Makonde Mask from Switzerland to Tanzania: The Role of
Third Parties in the Return of Cultural Objects
9. Conclusion: Lessons Learnt from Past Return Processes
1. Introduction: Looking Back to Move Forward
2. From Stockholm Back to Haisla Ancestral Territory: A Totem Pole Returns
Home
3. A Two-step Process Towards Community Return: The Return of a Stolen Idol
to Nepal
4. From Wales to Chile: The Return of Church Bells
5. Museums in the Lead: 'Crossed Deposits' between France and Cambodia
6. Returns and Reparations: Namibian Objects Returned by Germany
7. The Need for Provenance Research: The Return of a Dagger from the
Netherlands to Indonesia
8. The Return of the Makonde Mask from Switzerland to Tanzania: The Role of
Third Parties in the Return of Cultural Objects
9. Conclusion: Lessons Learnt from Past Return Processes







