Focused on the contemporary Anglophone adoption from the 1960s onwards, Beyond Scenography explores the porous state of modern theatre-making to argue a critical distinction between scenography (as place orientation) and scenographics (that which orientate acts of worlding).
Focused on the contemporary Anglophone adoption from the 1960s onwards, Beyond Scenography explores the porous state of modern theatre-making to argue a critical distinction between scenography (as place orientation) and scenographics (that which orientate acts of worlding).
Dr. Rachel Hann is Lecturer in Scenography, University of Surrey, UK.
Inhaltsangabe
Acknowledgments Introduction Scenography as theatre-making Theatre after cinema Scenography after performance Chapter outline Chapter 1: Place Orientation, Scenic Politics and Scenographics Scenes and Scenic Politics Scenographics Othering Tactics Chapter 2: Scenography and the Anglophone theatres The first adoption of scenography Continental differences pre-1960 The second adoption of scenography Sound and costume as scenography Chapter 3: Scenography beyond scenographers Mise en scène and scenography Whose scenography? Beyond dramaturgy and choreography Expanded scene design? Chapter 4: Scenography Happens The time of scenography Scenography is not set Gecko's MISSING set Chapter 5: Scenographic Worlding Stage Geographies Stage Ideologies Scenography beyond stages? Stage-Scenes beyond vision Chapter 6: Scenographic Cultures Installation Art and Scenographic Scale Interior Design and Scenographic Behaviours Marketing and Scenographic Seduction Gardening and Scenographic Curation Protest and Scenographic Activism Chapter 7: Scenographic Architecture Fast Architecture Trompe l'oeil and Scenographic Propaganda Potemkin Villages and Scenographic Placemaking Conclusion
Acknowledgments Introduction Scenography as theatre-making Theatre after cinema Scenography after performance Chapter outline Chapter 1: Place Orientation, Scenic Politics and Scenographics Scenes and Scenic Politics Scenographics Othering Tactics Chapter 2: Scenography and the Anglophone theatres The first adoption of scenography Continental differences pre-1960 The second adoption of scenography Sound and costume as scenography Chapter 3: Scenography beyond scenographers Mise en scène and scenography Whose scenography? Beyond dramaturgy and choreography Expanded scene design? Chapter 4: Scenography Happens The time of scenography Scenography is not set Gecko's MISSING set Chapter 5: Scenographic Worlding Stage Geographies Stage Ideologies Scenography beyond stages? Stage-Scenes beyond vision Chapter 6: Scenographic Cultures Installation Art and Scenographic Scale Interior Design and Scenographic Behaviours Marketing and Scenographic Seduction Gardening and Scenographic Curation Protest and Scenographic Activism Chapter 7: Scenographic Architecture Fast Architecture Trompe l'oeil and Scenographic Propaganda Potemkin Villages and Scenographic Placemaking Conclusion
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