Paloma Checa-Gismero traces an archeology of contemporary art biennials to uncover the processes that prompted these exhibitions to become the global art world’s defining events at the end of the twentieth century.
Paloma Checa-Gismero traces an archeology of contemporary art biennials to uncover the processes that prompted these exhibitions to become the global art world’s defining events at the end of the twentieth century.
Paloma Checa-Gismero is Assistant Professor of Art History at Swarthmore College.
Inhaltsangabe
List of Illustrations ix Acknowledgments xiii Biennial Conversions at the Borders of Liberalism: An Introduction 1 Part 1. Anticolonial Collaboration in the Bienal de la Habana’s Early Iterations, Havana, 1984–1991 29 1. Polyphonic Internationalism 29 2. Curating the Third World 53 3. An Aesthetics of Production 72 Part 2. Cosmopolitan Dreams at the US-Mexico Borderlands in inSITE94 and INSITE97: San Diego and Tijuana, 1994–1997 4. Sovereignty Claims over the Borderlands 99 5. Fears of Provincialism and the Desire to Be Global 123 6. Globalizing Mexican Art 146 Part 3. Art for a Unified Europe: Manifesta 1, Rotterdam, 1996 7. Manifesta: Placenta Europa 173 8. Curating Conflict 193 9. The Art of Belonging 217 Epilogue 241 Notes 253 Bibliography 285 Index 301
List of Illustrations ix Acknowledgments xiii Biennial Conversions at the Borders of Liberalism: An Introduction 1 Part 1. Anticolonial Collaboration in the Bienal de la Habana’s Early Iterations, Havana, 1984–1991 29 1. Polyphonic Internationalism 29 2. Curating the Third World 53 3. An Aesthetics of Production 72 Part 2. Cosmopolitan Dreams at the US-Mexico Borderlands in inSITE94 and INSITE97: San Diego and Tijuana, 1994–1997 4. Sovereignty Claims over the Borderlands 99 5. Fears of Provincialism and the Desire to Be Global 123 6. Globalizing Mexican Art 146 Part 3. Art for a Unified Europe: Manifesta 1, Rotterdam, 1996 7. Manifesta: Placenta Europa 173 8. Curating Conflict 193 9. The Art of Belonging 217 Epilogue 241 Notes 253 Bibliography 285 Index 301
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