Big Ears
Listening for Gender in Jazz Studies
Herausgeber: Rustin, Nichole T; Tucker, Sherrie
Big Ears
Listening for Gender in Jazz Studies
Herausgeber: Rustin, Nichole T; Tucker, Sherrie
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Collection of essays on the role of gender in jazz studies.
Produktdetails
- Produktdetails
- Verlag: Duke University Press
- Seitenzahl: 472
- Erscheinungstermin: 7. November 2008
- Englisch
- Abmessung: 231mm x 155mm x 30mm
- Gewicht: 748g
- ISBN-13: 9780822343363
- ISBN-10: 0822343363
- Artikelnr.: 23879980
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: Duke University Press
- Seitenzahl: 472
- Erscheinungstermin: 7. November 2008
- Englisch
- Abmessung: 231mm x 155mm x 30mm
- Gewicht: 748g
- ISBN-13: 9780822343363
- ISBN-10: 0822343363
- Artikelnr.: 23879980
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Nichole T. Rustin is completing a book titled Jazz Men: Race, Masculine Difference, and the Emotions in 1950s America. Sherrie Tucker is Associate Professor of American Studies at the University of Kansas. She is the author of Swing Shift: “All-Girl” Bands of the 1940s , also published by Duke University Press.
Acknowledgments vii
Introduction / Nichole T. Rustin and Sherrie Tucker 1
Part I. Rooting Gender in Jazz History
Separated at "Birth": Singing and the History of Jazz / Lara Pellegrinelli
31
With Lovie and Lil: Rediscovering Two Chicago Pianists of the 1920s /
Jeffrey Taylor 48
Gender, Jazz, and the Popular Front / Monica Hairston 64
"The Battle of the Saxes": Gender, Dance Bands, and British Nationalism in
the Second World War / Christina Baade 90
Identity for Sale: Glenn Miller, Wynton Marsalis, and Cultural Replay in
Music / Tracy McMullen 129
Part II. Improvising Gender: Embodiment and Performance
From the Point of View of the Pavement: A Geopolitics of Black Dance /
Jayna Brown 157
Perverse Hysterics: The Noisy Cri of Les Diaboliques / Julie Dawn Smith 180
"Born Out of Jazz . . . Yet Embracing All Music": Race, Gender, and
Technology in George Russell's Lydian Chromatic Concept / Eric Porter 210
"But This Music is Mine Already!" : "White Woman" as Jazz Collector in the
Film New Orleans (1947) / Sherrie Tucker 235
Fitting the Part / Ingrid Monson 267
Part III. Reimagining Jazz Representations
"Better a Jazz Album Than Lipstick" (Lieber Jazzplatte Als Lippenstift):
The 1956 Jazz Podium Series Reveals Images of Jazz and Gender in Postwar
Germany / Ursel Schlicht 291
Exclusion, Openness, and Utopia in Black Male Performance at the World
Stage Jazz Jam Sessions / João H. Costa Vargas 320
"It Takes Two People to Confirm the Truth": The Jazz Fiction of Sherley Ann
Williams and Toni Cade Bambara / Farah Jasmine Griffin 348
"Blow, Man, Blow!": Representing Gender, White Primitives, and Jazz
Melodrama Through A Young Man With A Horn / Nichole T. Rustin 361
The Gendered Jazz Aesthetics of That Man of Man: The International
Sweethearts of Rhythm and Independent Black Sound Film / Kristin McGee 393
Bibliography 423
Contributors 435
Index 441
Introduction / Nichole T. Rustin and Sherrie Tucker 1
Part I. Rooting Gender in Jazz History
Separated at "Birth": Singing and the History of Jazz / Lara Pellegrinelli
31
With Lovie and Lil: Rediscovering Two Chicago Pianists of the 1920s /
Jeffrey Taylor 48
Gender, Jazz, and the Popular Front / Monica Hairston 64
"The Battle of the Saxes": Gender, Dance Bands, and British Nationalism in
the Second World War / Christina Baade 90
Identity for Sale: Glenn Miller, Wynton Marsalis, and Cultural Replay in
Music / Tracy McMullen 129
Part II. Improvising Gender: Embodiment and Performance
From the Point of View of the Pavement: A Geopolitics of Black Dance /
Jayna Brown 157
Perverse Hysterics: The Noisy Cri of Les Diaboliques / Julie Dawn Smith 180
"Born Out of Jazz . . . Yet Embracing All Music": Race, Gender, and
Technology in George Russell's Lydian Chromatic Concept / Eric Porter 210
"But This Music is Mine Already!" : "White Woman" as Jazz Collector in the
Film New Orleans (1947) / Sherrie Tucker 235
Fitting the Part / Ingrid Monson 267
Part III. Reimagining Jazz Representations
"Better a Jazz Album Than Lipstick" (Lieber Jazzplatte Als Lippenstift):
The 1956 Jazz Podium Series Reveals Images of Jazz and Gender in Postwar
Germany / Ursel Schlicht 291
Exclusion, Openness, and Utopia in Black Male Performance at the World
Stage Jazz Jam Sessions / João H. Costa Vargas 320
"It Takes Two People to Confirm the Truth": The Jazz Fiction of Sherley Ann
Williams and Toni Cade Bambara / Farah Jasmine Griffin 348
"Blow, Man, Blow!": Representing Gender, White Primitives, and Jazz
Melodrama Through A Young Man With A Horn / Nichole T. Rustin 361
The Gendered Jazz Aesthetics of That Man of Man: The International
Sweethearts of Rhythm and Independent Black Sound Film / Kristin McGee 393
Bibliography 423
Contributors 435
Index 441
Acknowledgments vii
Introduction / Nichole T. Rustin and Sherrie Tucker 1
Part I. Rooting Gender in Jazz History
Separated at "Birth": Singing and the History of Jazz / Lara Pellegrinelli
31
With Lovie and Lil: Rediscovering Two Chicago Pianists of the 1920s /
Jeffrey Taylor 48
Gender, Jazz, and the Popular Front / Monica Hairston 64
"The Battle of the Saxes": Gender, Dance Bands, and British Nationalism in
the Second World War / Christina Baade 90
Identity for Sale: Glenn Miller, Wynton Marsalis, and Cultural Replay in
Music / Tracy McMullen 129
Part II. Improvising Gender: Embodiment and Performance
From the Point of View of the Pavement: A Geopolitics of Black Dance /
Jayna Brown 157
Perverse Hysterics: The Noisy Cri of Les Diaboliques / Julie Dawn Smith 180
"Born Out of Jazz . . . Yet Embracing All Music": Race, Gender, and
Technology in George Russell's Lydian Chromatic Concept / Eric Porter 210
"But This Music is Mine Already!" : "White Woman" as Jazz Collector in the
Film New Orleans (1947) / Sherrie Tucker 235
Fitting the Part / Ingrid Monson 267
Part III. Reimagining Jazz Representations
"Better a Jazz Album Than Lipstick" (Lieber Jazzplatte Als Lippenstift):
The 1956 Jazz Podium Series Reveals Images of Jazz and Gender in Postwar
Germany / Ursel Schlicht 291
Exclusion, Openness, and Utopia in Black Male Performance at the World
Stage Jazz Jam Sessions / João H. Costa Vargas 320
"It Takes Two People to Confirm the Truth": The Jazz Fiction of Sherley Ann
Williams and Toni Cade Bambara / Farah Jasmine Griffin 348
"Blow, Man, Blow!": Representing Gender, White Primitives, and Jazz
Melodrama Through A Young Man With A Horn / Nichole T. Rustin 361
The Gendered Jazz Aesthetics of That Man of Man: The International
Sweethearts of Rhythm and Independent Black Sound Film / Kristin McGee 393
Bibliography 423
Contributors 435
Index 441
Introduction / Nichole T. Rustin and Sherrie Tucker 1
Part I. Rooting Gender in Jazz History
Separated at "Birth": Singing and the History of Jazz / Lara Pellegrinelli
31
With Lovie and Lil: Rediscovering Two Chicago Pianists of the 1920s /
Jeffrey Taylor 48
Gender, Jazz, and the Popular Front / Monica Hairston 64
"The Battle of the Saxes": Gender, Dance Bands, and British Nationalism in
the Second World War / Christina Baade 90
Identity for Sale: Glenn Miller, Wynton Marsalis, and Cultural Replay in
Music / Tracy McMullen 129
Part II. Improvising Gender: Embodiment and Performance
From the Point of View of the Pavement: A Geopolitics of Black Dance /
Jayna Brown 157
Perverse Hysterics: The Noisy Cri of Les Diaboliques / Julie Dawn Smith 180
"Born Out of Jazz . . . Yet Embracing All Music": Race, Gender, and
Technology in George Russell's Lydian Chromatic Concept / Eric Porter 210
"But This Music is Mine Already!" : "White Woman" as Jazz Collector in the
Film New Orleans (1947) / Sherrie Tucker 235
Fitting the Part / Ingrid Monson 267
Part III. Reimagining Jazz Representations
"Better a Jazz Album Than Lipstick" (Lieber Jazzplatte Als Lippenstift):
The 1956 Jazz Podium Series Reveals Images of Jazz and Gender in Postwar
Germany / Ursel Schlicht 291
Exclusion, Openness, and Utopia in Black Male Performance at the World
Stage Jazz Jam Sessions / João H. Costa Vargas 320
"It Takes Two People to Confirm the Truth": The Jazz Fiction of Sherley Ann
Williams and Toni Cade Bambara / Farah Jasmine Griffin 348
"Blow, Man, Blow!": Representing Gender, White Primitives, and Jazz
Melodrama Through A Young Man With A Horn / Nichole T. Rustin 361
The Gendered Jazz Aesthetics of That Man of Man: The International
Sweethearts of Rhythm and Independent Black Sound Film / Kristin McGee 393
Bibliography 423
Contributors 435
Index 441