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Deeply informed by jazz, Billie's Bent Elbow explores the nonsensical in black radical thought and expression. Extending the encounter between black study, Frankfurt School critical theory, and Jazz as Critique, and, crucially, bringing Yoruba aesthetics into the conversation, Okiji attunes to various sites of intemperance in thought and music.

Produktbeschreibung
Deeply informed by jazz, Billie's Bent Elbow explores the nonsensical in black radical thought and expression. Extending the encounter between black study, Frankfurt School critical theory, and Jazz as Critique, and, crucially, bringing Yoruba aesthetics into the conversation, Okiji attunes to various sites of intemperance in thought and music.
Autorenporträt
Fumi Okiji is Associate Professor of Rhetoric at the University of California, Berkeley. She is the author of Jazz as Critique: Adorno and Black Expression Revisited (Stanford, 2018). She arrived at the academy by way of the London jazz scene and draws on sound practices to inform her writing.