Bodies of Disorder - Murphy, Katharine
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Discourses of degeneration (social, political, medical) peaked in the 1890s across Europe, and posited the moral and biological decline, even sterility, of European nations. In early twentieth-century Spain, the novels of Pío Baroja and Vicente Blasco Ibáñez both assimilated and subverted the cultural myths of degeneration that were fuelled by influential European theorists such as Bénédict Morel, Cesare Lombroso and Max Nordau. In the light of widespread anxieties about reproduction and national decadence, this interdisciplinary book traces the creative tension between each author's literary…mehr

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Produktbeschreibung
Discourses of degeneration (social, political, medical) peaked in the 1890s across Europe, and posited the moral and biological decline, even sterility, of European nations. In early twentieth-century Spain, the novels of Pío Baroja and Vicente Blasco Ibáñez both assimilated and subverted the cultural myths of degeneration that were fuelled by influential European theorists such as Bénédict Morel, Cesare Lombroso and Max Nordau. In the light of widespread anxieties about reproduction and national decadence, this interdisciplinary book traces the creative tension between each author's literary representations of the degenerate female body and the consumer agency of women readers. Through its alignment of gender paradigms and degenerationism in Baroja and Blasco Ibáñez, Bodies of Disorder offers a challenge to established hierarchies of canonical and popular fiction. Countering Baroja's resounding public disdain for his Valencian contemporary, Katharine Murphy repositions Blasco as markedly closer to the so-called 'Generation of 1898' than hitherto acknowledged. Dr Katharine Murphy is Senior Lecturer in Hispanic Studies at the University of Exeter. Author of Re-reading Pío Baroja and English Literature (2004), she has published widely on Comparative Literature and Spanish Modernism.
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Autorenporträt
Katharine Murphy has worked in Canberra's parliamentary press gallery since 1996 for the Australian Financial Review, The Australian and The Age, before joining Guardian Australia, where she is the political editor. She won the Paul Lyneham Award for Excellence in Press Gallery Journalism in 2008 and has been a Walkley Award finalist twice. She was awarded an honorary doctorate by the University of Canberra in 2019. She is a director of the National Press Club and the author of On Disruption and Quarterly Essay The End of Certainty.