This book focuses on the cinema of the 1950s in India and analyses the work of seven filmmakers from mainstream Hindi cinema and how they responded to the independent Indian nation after 1947.
This book focuses on the cinema of the 1950s in India and analyses the work of seven filmmakers from mainstream Hindi cinema and how they responded to the independent Indian nation after 1947.
Devapriya Sanyal is Assistant Professor at School of Communication and Media Studies, St Joseph's University, Bengaluru. She is the author of several books on film and gender such as Failed Masculinities: The Men in Satyajit Ray's Films, Gendered Modernity and Indian Cinema: The Women in Satyajit Ray's Films (Routledge, UK), Salman Khan: The Man, The Actor, The Legend and Through the Eyes of a Cinematographer: The Biography of Soumendu Roy. Her writings have appeared in national and international journals. She has a PhD from the Centre for English Studies, Jawaharlal Nehru University.
Inhaltsangabe
Introduction Chapter 1: V Shantaram: From Reformist Idealism to Doubt Chapter 2: Mehboob Khan: Charting the Nation's Trajectory Chapter 3: Bimal Roy: The Eternal Truths of Literature Chapter 4: Guru Dutt: Tradition and Democracy Chapter 5: Raj Kapoor: The Filmmaker and his Image Chapter 6: Raj Khosla: Moral Watchdogs in a Fledgling Democracy Chapter 7: BR Chopra: From Entertainment to Concern Afterword: The Concerns and Attitudes of the 1950s Index
Introduction Chapter 1: V Shantaram: From Reformist Idealism to Doubt Chapter 2: Mehboob Khan: Charting the Nation's Trajectory Chapter 3: Bimal Roy: The Eternal Truths of Literature Chapter 4: Guru Dutt: Tradition and Democracy Chapter 5: Raj Kapoor: The Filmmaker and his Image Chapter 6: Raj Khosla: Moral Watchdogs in a Fledgling Democracy Chapter 7: BR Chopra: From Entertainment to Concern Afterword: The Concerns and Attitudes of the 1950s Index
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