This book is the first academic study of contemporary Feminist art in Bosnia and Herzegovina (BiH). This book will be of interest to scholars in contemporary art, feminist studies, war and conflict studies, and European studies.
This book is the first academic study of contemporary Feminist art in Bosnia and Herzegovina (BiH). This book will be of interest to scholars in contemporary art, feminist studies, war and conflict studies, and European studies.
Uro ¿voro is Associate Professor in Art Theory at UNSW Sydney. His research interests are contemporary art and politics from the region of Former Yugoslavia, cultural representations of nationalism and post-socialist and post-conflict art. His books include Post-Conflict Monuments in Bosnia and Herzegovina (2020), Transitional Aesthetics: Art at the Edge of Europe (2018), and Turbo-folk Music and Cultural Representations of National Identity in Former Yugoslavia (2014). With Kit Messham-Muir, he is co-author of Images of War in Contemporary Art (2021) and The Trump Effect (2022).
Inhaltsangabe
Introduction; 1. Bosnian girls and red feminism against militarist patriarchal nationalism 2. Care in the work of BiH feminist artists 3. Tradition against patriarchy in the work of Sandra Duki , Lala Ra i , and Selma Selman 4. Feminising the Gastarbeiter in the work of Mila Pani , Saa Tati , and Alma Gäanin; Afterword
Introduction; 1. Bosnian girls and red feminism against militarist patriarchal nationalism 2. Care in the work of BiH feminist artists 3. Tradition against patriarchy in the work of Sandra Duki , Lala Ra i , and Selma Selman 4. Feminising the Gastarbeiter in the work of Mila Pani , Saa Tati , and Alma Gäanin; Afterword
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