Bossa Mundo chronicles how Brazilian music has been central to Brazil's national brand in the U.S. and U.K. since the early 1960s. Through in-depth historical and ethnographic analyses of watershed moments of musical breakthrough, it explores not just what the music may have represented at that moment, but details its deeper cultural impact.
Bossa Mundo chronicles how Brazilian music has been central to Brazil's national brand in the U.S. and U.K. since the early 1960s. Through in-depth historical and ethnographic analyses of watershed moments of musical breakthrough, it explores not just what the music may have represented at that moment, but details its deeper cultural impact.
K. E. Goldschmitt is Assistant Professor of Music (ethnomusicology) at Wellesley College. They specialize in the music in the global media industries, sound studies, and music of the Portuguese-speaking world. They previously taught at University of Cambridge, New College of Florida, and Colby College.
Inhaltsangabe
* Acknowledgements * Introduction * 1. Copying the Bossa Nova: Jazz and Dance Fads in the Early '60s * 2. Adult Contemporary Bossa Nova: The Jet Set and Easy Listening on Record and in Film * 3. From Fusion to Funk: Brazilian Musical Strategies of Racial Affiliation in the 1970s * 4. Brazilian Music as World Music in the Late-1980s * 5. Remixing Brazil: Distraction and Retro Taste at the Turn of the Millennium * 6. Constructing a New Music Industry: Musically Branding Brazil in the 2010s * Epilogue * Bibliography
* Acknowledgements * Introduction * 1. Copying the Bossa Nova: Jazz and Dance Fads in the Early '60s * 2. Adult Contemporary Bossa Nova: The Jet Set and Easy Listening on Record and in Film * 3. From Fusion to Funk: Brazilian Musical Strategies of Racial Affiliation in the 1970s * 4. Brazilian Music as World Music in the Late-1980s * 5. Remixing Brazil: Distraction and Retro Taste at the Turn of the Millennium * 6. Constructing a New Music Industry: Musically Branding Brazil in the 2010s * Epilogue * Bibliography
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