Develops a new theory of space and register which will be essential reading for the music analyst, while offering radical new interpretations of canonical repertoire for the pianist, Beethoven scholar and informed listener.
Develops a new theory of space and register which will be essential reading for the music analyst, while offering radical new interpretations of canonical repertoire for the pianist, Beethoven scholar and informed listener.
MALCOLM MILLER is Honorary Associate and Associate Lecturer in Music at The Open University, UK, and Editor of Arietta, journal of the Beethoven Piano Society of Europe
Inhaltsangabe
List of Illustrations Key to Notational Conventions, Terminology and Diagrams Foreword by Barry Cooper Introduction PART 1: Sonic Space Explorations: Concepts and Contexts 1. Register in the Analytical Literature: Limitations and Possibilities 2. The Analysis of Space and Register: Concepts and Methods 3. New Methods of Spatial Analysis in Action 4. Beethoven's Fortepianos and the Expansion of Range PART 2: Shaping Sonic Space in Ternary, Rondo and Variation Forms 5. Shaping Space in the Seven Bagatelles Op. 33 6. Spatial Expansion in Beethoven's Piano Variations I: The 'Dressler' (1782) to Op.34 (1802) 7. Spatial Expansion in Beethoven's Piano Variations II: The 'Eroica' Op. 35 (1802) to the 'Diabelli' Op. 120 (1819-23) PART 3: Spatial Strategies in Multi-movement Sonatas 8. Space and Boundary in the 'Grande Sonate Pathétique' Op.13 9. Depth and Spatial Dialogue in Op. 27/ 1 & 2 and Op. 28 10. Spatial Narratives of Drama and Wit: Op. 31/2 - 3 11. Stretching Space and Breaking Boundaries I: Sonata in C Op. 53 'Waldstein' 12. Stretching Space and Breaking Boundaries II: Sonata in F minor Op. 57 'Appassionata' 13. Registral Pairs: Sonata in F Op. 54; Sonata in F¿ Op. 78 14. Space and Narrative: Sonata in E flat Op. 81 'Les Adieux' PART 4: Beethoven's Late Style and the Symbolism of Space 15. Space and Transcendence in the Late Piano Sonatas, Opp. 106, 109, 110, 111 16. Space and cyclic form in the Six Bagatelles I: Op. 126/1-3 17. Space and cyclic form in the Six Bagatelles II: Op.126/4-6 18. Epilogue: Towards a Theory of Space and Register Bibliography Index
List of Illustrations Key to Notational Conventions, Terminology and Diagrams Foreword by Barry Cooper Introduction PART 1: Sonic Space Explorations: Concepts and Contexts 1. Register in the Analytical Literature: Limitations and Possibilities 2. The Analysis of Space and Register: Concepts and Methods 3. New Methods of Spatial Analysis in Action 4. Beethoven's Fortepianos and the Expansion of Range PART 2: Shaping Sonic Space in Ternary, Rondo and Variation Forms 5. Shaping Space in the Seven Bagatelles Op. 33 6. Spatial Expansion in Beethoven's Piano Variations I: The 'Dressler' (1782) to Op.34 (1802) 7. Spatial Expansion in Beethoven's Piano Variations II: The 'Eroica' Op. 35 (1802) to the 'Diabelli' Op. 120 (1819-23) PART 3: Spatial Strategies in Multi-movement Sonatas 8. Space and Boundary in the 'Grande Sonate Pathétique' Op.13 9. Depth and Spatial Dialogue in Op. 27/ 1 & 2 and Op. 28 10. Spatial Narratives of Drama and Wit: Op. 31/2 - 3 11. Stretching Space and Breaking Boundaries I: Sonata in C Op. 53 'Waldstein' 12. Stretching Space and Breaking Boundaries II: Sonata in F minor Op. 57 'Appassionata' 13. Registral Pairs: Sonata in F Op. 54; Sonata in F¿ Op. 78 14. Space and Narrative: Sonata in E flat Op. 81 'Les Adieux' PART 4: Beethoven's Late Style and the Symbolism of Space 15. Space and Transcendence in the Late Piano Sonatas, Opp. 106, 109, 110, 111 16. Space and cyclic form in the Six Bagatelles I: Op. 126/1-3 17. Space and cyclic form in the Six Bagatelles II: Op.126/4-6 18. Epilogue: Towards a Theory of Space and Register Bibliography Index
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