Bowerbird - Valentine, Alana
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'Mostly it feels like you don't know-like you're reaching for something that you can't quite grab. Some writers talk about their fear of the blank page, but the playwright who draws work from life can have the opposite problem. Spoilt for choice. Presented with myriad possibilities and competing ideas of how to condense the source material or arrange it in a theatrically dynamic, original and compelling way. Lost in a sea of options, yet perversely obsessed with the interview not done, the perspective not transcribed, the final piece of the jigsaw forever elusive. And it's not about a lack of…mehr

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Produktbeschreibung
'Mostly it feels like you don't know-like you're reaching for something that you can't quite grab. Some writers talk about their fear of the blank page, but the playwright who draws work from life can have the opposite problem. Spoilt for choice. Presented with myriad possibilities and competing ideas of how to condense the source material or arrange it in a theatrically dynamic, original and compelling way. Lost in a sea of options, yet perversely obsessed with the interview not done, the perspective not transcribed, the final piece of the jigsaw forever elusive. And it's not about a lack of confidence, although that can hum away in the background for longer than you might expect. It's about not trying to have clarity. It's about waiting until you do.' So begins Bowerbird, a journey through the life and plays of Alana Valentine, as well as the creative process behind the plays. One of Australia's most inventive playwrights, Alana shows the power of bringing new audiences into our theatres to share the space with traditional audiences, detailing how to gather and transform lived experience into compelling drama. In Bowerbird she reveals the motor of her artistry by combining stories from her life with observations from her experience. 'Bowerbird is written with all the humanity, wisdom, humour and generosity that we recognise and love in Alana Valentine's work. This is much more than a guide for aspiring writers: this is a book for anyone who loves theatre, its power and its people.' - Neil Armfield AO
Autorenporträt
ALANA VALENTINE's Barbara and the Camp Dogs, co-written with Ursula Yovich, was nominated in the 2017 Sydney Theatre Awards for Best New Australian Work and Best Original Score. Ladies Day was nominated for the Nick Enright Prize for Drama (NSW Premier's Literary Awards, 2017). Valentine is the recipient of two Tasmanian Theatre Awards (2017) for The Tree Widows, and was also nominated for an Errol for Best Director. Valentine has worked with Bangarra Dance Theatre as dramaturg on Dark Emu, after successful collaborations on Bennelong, Patyegarang and ID. In 2017 Venus Theatre Company (USA) world premiered The Ravens, which also won the BBC International Radio writing Award in 2013, and the National Library of Australia published Dear Lindy. Other works include The Sugar House, Ear to the Edge of Time, Letters to Lindy, and a jazz song cycle Flight Memory. Valentine is the co-recipient of a writing fellowship at the Charles Perkins Centre, University of Sydney. www.alanavalentine.com