This work examines major box office hits like 'The Full Monty' as well as critically acclaimed films like 'Under the Skin'. It explores the role of distribution and exhibition, the Americanisation of British film culture, Hollywood and Europe, changing representations of sexuality and ethnicity.
This work examines major box office hits like 'The Full Monty' as well as critically acclaimed films like 'Under the Skin'. It explores the role of distribution and exhibition, the Americanisation of British film culture, Hollywood and Europe, changing representations of sexuality and ethnicity.
Robert Murphy is Senior Research Fellow at De Montfort University, Leicester. He is the author of Realism and Tinsel (1989), Sixties British Cinema (1992) and Smash and Grab (1993) and the editor of The British Cinema Book (1997).
Inhaltsangabe
Acknowledgements Notes on Contributors Introduction 1. A Path through the Moral Maze Robert Murphy (De Montfort University Leicester UK) 2. The British Film Industry in the 1990s Peter Todd (BFI National Library UK) 3. Something for Fveryone: British Film Culture in the 1990s Geoff Brown (The Times UK) 4. The Film Industry and the Government: 'Endless Mr Beans and Mr Bonds'? Toby Miller (New York University USA) 5. Spoilt for Choice? Multiplexes in the 90s Stuart Hanson (Birmingham University UK) 6. Pathways into the Industry Kate Ogborn (British Film Institute UK) 7. As Others See Us: British Film-making and Europe in the 90s Ian Christie (Birkbeck College London UK) 8. Hollywood UK Neil Watson 9. Image and Nation in 1990s British Cinema Moya Luckett (University of Pittsburgh USA) 10. Here and Then: Space place and Nostalgia in British Youth Cinema of the 1990s Karen Lury (University of Glasgow UK) 11. Black British Cinema in the 90s: Going Going Gone Karen Alexander (British Film Institute UK) 12. Fewer Weddings and More Funerals: Changes in the Heritage Film Pamela Church Gibson (London College of Fashion UAL UK) 13. Two Sisters the Fogey the Priest and his Lover: Sexual Plurality in 1990s British Cinema Stella Bruzzi (Royal Holloway University of London UK) 14. Unseen British Cinema Geoffrey Macnab 15. Travelling Light: New Art Cinema in the 90s Claire Smith 16. Men in the 90s Claire Monk (De Montfort University Leicester UK) 17. Not Having It All: Women and Film in the 1990s Charlotte Brunsdon (Warwick University UK) 18. Failure and Utopianism: Representations of the Working Class in British Cinema of the 1990s John Hill (University of Ulster UK) Select Bibliography Index
Acknowledgements Notes on Contributors Introduction 1. A Path through the Moral Maze Robert Murphy (De Montfort University Leicester UK) 2. The British Film Industry in the 1990s Peter Todd (BFI National Library UK) 3. Something for Fveryone: British Film Culture in the 1990s Geoff Brown (The Times UK) 4. The Film Industry and the Government: 'Endless Mr Beans and Mr Bonds'? Toby Miller (New York University USA) 5. Spoilt for Choice? Multiplexes in the 90s Stuart Hanson (Birmingham University UK) 6. Pathways into the Industry Kate Ogborn (British Film Institute UK) 7. As Others See Us: British Film-making and Europe in the 90s Ian Christie (Birkbeck College London UK) 8. Hollywood UK Neil Watson 9. Image and Nation in 1990s British Cinema Moya Luckett (University of Pittsburgh USA) 10. Here and Then: Space place and Nostalgia in British Youth Cinema of the 1990s Karen Lury (University of Glasgow UK) 11. Black British Cinema in the 90s: Going Going Gone Karen Alexander (British Film Institute UK) 12. Fewer Weddings and More Funerals: Changes in the Heritage Film Pamela Church Gibson (London College of Fashion UAL UK) 13. Two Sisters the Fogey the Priest and his Lover: Sexual Plurality in 1990s British Cinema Stella Bruzzi (Royal Holloway University of London UK) 14. Unseen British Cinema Geoffrey Macnab 15. Travelling Light: New Art Cinema in the 90s Claire Smith 16. Men in the 90s Claire Monk (De Montfort University Leicester UK) 17. Not Having It All: Women and Film in the 1990s Charlotte Brunsdon (Warwick University UK) 18. Failure and Utopianism: Representations of the Working Class in British Cinema of the 1990s John Hill (University of Ulster UK) Select Bibliography Index
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