Exploring a range of forms of literature in the British Isles from 1920 to 1940, this book will interest undergraduate and graduate students and scholars of drama, English literature, gender studies, and politics. Particular attention is paid to the literatures of Wales, Ireland and Scotland, and to women's and queer writing.
Exploring a range of forms of literature in the British Isles from 1920 to 1940, this book will interest undergraduate and graduate students and scholars of drama, English literature, gender studies, and politics. Particular attention is paid to the literatures of Wales, Ireland and Scotland, and to women's and queer writing.
Introduction Charles Ferrall and Dougal McNeill; Part I. After the War: 1. Out of Mrs Colefax's Drawing-Room: poets and poetry between the wars Harry Ricketts; 2. Perverting the postwar: sexuality and state violence in women's literature Layne Parish Craig; 3. Journeys without maps: literature and spiritual experience Lara Vetter; Part II. Literature after Human Nature Changed: 4. Writing the vote: suffrage, gender, and politics Sowon S. Park and Kathryn Laing; 5. Literature and human rights Rachel Potter; 6. Psychoanalysis and modernism John Farrell; Part III. Immense Panoramas of Futility and Anarchy: Writing and Politics: 7. History: the past in transition Gabrielle McIntire; 8. Women's work? Domestic labour and proletarian fiction Charles Ferrall; 9. Ordinary places, intermodern genres: documentary, travel, and literature Kristin Bluemel; 10. Bloomsbury conversations that didn't happen: Indian writing between British modernism and anti-colonialism Snehal Shingavi and Charlotte Nunes; Part IV. The First Break-Up of Britain: 11. Between Holyhead and Kingstown: Anglo-Irish perspectives on the character of British fiction Michael G. Cronin; 12. Cancer of empire: the Glasgow novel between the wars Liam McIlvanney; 13. Lewis Jones and the making of Welsh Identity Shintaro Kono; 14. From Optik to Haptik: Celticism, symbols and stones in the 1930s Peter Mackay; Part V. Transitions High and Low: 15. On the home front: designs for living in British drama between the wars Penny Farfan; 16. Middlemen, middlebrow, broadbrow Nicola Wilson; 17. Detective fiction: resolutions without solutions J. C. Bernthal; 18. British literature in transmission: writing and wireless James Purdon.
Introduction Charles Ferrall and Dougal McNeill; Part I. After the War: 1. Out of Mrs Colefax's Drawing-Room: poets and poetry between the wars Harry Ricketts; 2. Perverting the postwar: sexuality and state violence in women's literature Layne Parish Craig; 3. Journeys without maps: literature and spiritual experience Lara Vetter; Part II. Literature after Human Nature Changed: 4. Writing the vote: suffrage, gender, and politics Sowon S. Park and Kathryn Laing; 5. Literature and human rights Rachel Potter; 6. Psychoanalysis and modernism John Farrell; Part III. Immense Panoramas of Futility and Anarchy: Writing and Politics: 7. History: the past in transition Gabrielle McIntire; 8. Women's work? Domestic labour and proletarian fiction Charles Ferrall; 9. Ordinary places, intermodern genres: documentary, travel, and literature Kristin Bluemel; 10. Bloomsbury conversations that didn't happen: Indian writing between British modernism and anti-colonialism Snehal Shingavi and Charlotte Nunes; Part IV. The First Break-Up of Britain: 11. Between Holyhead and Kingstown: Anglo-Irish perspectives on the character of British fiction Michael G. Cronin; 12. Cancer of empire: the Glasgow novel between the wars Liam McIlvanney; 13. Lewis Jones and the making of Welsh Identity Shintaro Kono; 14. From Optik to Haptik: Celticism, symbols and stones in the 1930s Peter Mackay; Part V. Transitions High and Low: 15. On the home front: designs for living in British drama between the wars Penny Farfan; 16. Middlemen, middlebrow, broadbrow Nicola Wilson; 17. Detective fiction: resolutions without solutions J. C. Bernthal; 18. British literature in transmission: writing and wireless James Purdon.
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