British Theatre and Young People gathers together new and original studies on the issues, theories, practices and perceptions which characterise British theatre about, for, by, and with young people in the 21st century.
British Theatre and Young People gathers together new and original studies on the issues, theories, practices and perceptions which characterise British theatre about, for, by, and with young people in the 21st century.
U¿ur Ada is currently working as Assistant Professor Doctor at Tokat Gaziosmanpasa University in Türkiye. He holds a PhD degree and his dissertation is entitled "Theatre in Education and the Analysis of Edward Bond's Big Brum Plays within the Context of Theatre in Education". His research areas are Contemporary British Theatre, Applied Theatre / Drama, In-Yer-Face Theatre and Theatre and Young People. His Recent book publications include E¿itimde Tiyatro/ Theatre in Education (TiE) (2021) and Edward Bond: Bondian Drama and Young Audience (2023).
Inhaltsangabe
Preface Part 1. Socially Engaged Performances 1. 'Growing Sideways' in Mark Ravenhill's Play for Young People, Citizenship 2. Polly Stenham's That Face: A Portrait of Parentification and Dependency 3. 'Packing Boxes' by/for the Young: Precarity and Cruel Optimism in Wish List 4. "It's Just the Persuading Bit": Children, Performance and Climate Action 5. The Cancellation of The Family Sex Show Part 2. Adaptation and Appropriation 6. A Tale of Temptation and Redemption: Staging Christina Rossetti's Goblin Market for a Young Audience 7. ''We're Women. Not Children. Not Little Girls'': Zadie Smith's Theatrical Adaptation of Geoffrey Chaucer's The Wife of Bath 8. Dumbing Down or Playing Up? Directing Shakespeare for Young People 9. Bring British Youth Theatre Overseas: A Case Study on Route to China Part 3. Local, National and International Voices 10. Imagining Beyond the Barbarism 11. Destinies: An Applied Theatre Co-creation with Vulnerable Groups Producing Inter-relational Communities of Practice 12. Youth Theatre of Sanctuary: Arts, Inclusion and Leadership Initiative A Case Study on the Impact that Collaborative, Live and Digital Theatre Practices has had on the Lives of People Seeking Sanctuary and the Communities They Live in 13. Theatrical Event in Your Own Playground: Use of Mobile Space to Enhance Theatre Productions Provision in Primary Schools
Preface Part 1. Socially Engaged Performances 1. 'Growing Sideways' in Mark Ravenhill's Play for Young People, Citizenship 2. Polly Stenham's That Face: A Portrait of Parentification and Dependency 3. 'Packing Boxes' by/for the Young: Precarity and Cruel Optimism in Wish List 4. "It's Just the Persuading Bit": Children, Performance and Climate Action 5. The Cancellation of The Family Sex Show Part 2. Adaptation and Appropriation 6. A Tale of Temptation and Redemption: Staging Christina Rossetti's Goblin Market for a Young Audience 7. ''We're Women. Not Children. Not Little Girls'': Zadie Smith's Theatrical Adaptation of Geoffrey Chaucer's The Wife of Bath 8. Dumbing Down or Playing Up? Directing Shakespeare for Young People 9. Bring British Youth Theatre Overseas: A Case Study on Route to China Part 3. Local, National and International Voices 10. Imagining Beyond the Barbarism 11. Destinies: An Applied Theatre Co-creation with Vulnerable Groups Producing Inter-relational Communities of Practice 12. Youth Theatre of Sanctuary: Arts, Inclusion and Leadership Initiative A Case Study on the Impact that Collaborative, Live and Digital Theatre Practices has had on the Lives of People Seeking Sanctuary and the Communities They Live in 13. Theatrical Event in Your Own Playground: Use of Mobile Space to Enhance Theatre Productions Provision in Primary Schools
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