Gathering ground-breaking essays by leading scholars, this collection forwards an innovative feminist theory of satire and showcases women writers' unique contributions to the satirical tradition. For scholars, researchers, and students interested in women writers and eighteenth-century British literature, this volume is an indispensable resource.
Gathering ground-breaking essays by leading scholars, this collection forwards an innovative feminist theory of satire and showcases women writers' unique contributions to the satirical tradition. For scholars, researchers, and students interested in women writers and eighteenth-century British literature, this volume is an indispensable resource.
Introduction Amanda Hiner and Elizabeth Tasker Davis; Part I. Traditions and Breaks: 1. Women Writers and Juvenal: 'singing plain truths' Paul Baines; 2. Unlocking the Dressing Room: Mary Evelyn's Mundus Muliebris Melinda Alliker Rabb; 3. Aphra Behn and Traditions of Satire Tanya Caldwell; 4. Delarivier Manley: Satire as Conversation Rachel Carnell; 5. The Pleasures of Satire in the Fables of Anne Finch Sharon Smith; Part II. Publicity and Print Culture: Women Satirists during the Mid-Eighteenth Century: 6. Women's Satires of the Literary Marketplace in Eighteenth-Century England Catherine Ingrassia; 7. Charlotte Lennox, Satirical Poetry, and the Rise of Participatory Democracy Susan Carlile; 8. Jane Collier's Satirical Fable: Teeth, Claws, and Moral Authority in An Essay on the Art of Ingeniously Tormenting Martha F. Bowden; 9. Hiding in Plain Sight: Frances Burney as Satiric Novelist Marilyn Francus; Part III. Moral Debates and Satiric Dialogue: Women Satirists and Eighteenth-Century Sociability: 10. Anne Finch, Anna Seward, and Women's Relation to Formal Verse Satire in the Long Eighteenth Century Claudia Thomas Kairoff; 11. Satire as Gossip: Lady Anne Hamilton's The Epics of the Ton Michael Edson; 12. 'An invisible spy': Mary Robinson's Sylphid and the Image of the Satirist Rayna Rosenova; 13. Austen's Menippean Experiments: Paternalism and Empire in the Juvenilia and Mansfield Park Danielle Spratt.
Introduction Amanda Hiner and Elizabeth Tasker Davis; Part I. Traditions and Breaks: 1. Women Writers and Juvenal: 'singing plain truths' Paul Baines; 2. Unlocking the Dressing Room: Mary Evelyn's Mundus Muliebris Melinda Alliker Rabb; 3. Aphra Behn and Traditions of Satire Tanya Caldwell; 4. Delarivier Manley: Satire as Conversation Rachel Carnell; 5. The Pleasures of Satire in the Fables of Anne Finch Sharon Smith; Part II. Publicity and Print Culture: Women Satirists during the Mid-Eighteenth Century: 6. Women's Satires of the Literary Marketplace in Eighteenth-Century England Catherine Ingrassia; 7. Charlotte Lennox, Satirical Poetry, and the Rise of Participatory Democracy Susan Carlile; 8. Jane Collier's Satirical Fable: Teeth, Claws, and Moral Authority in An Essay on the Art of Ingeniously Tormenting Martha F. Bowden; 9. Hiding in Plain Sight: Frances Burney as Satiric Novelist Marilyn Francus; Part III. Moral Debates and Satiric Dialogue: Women Satirists and Eighteenth-Century Sociability: 10. Anne Finch, Anna Seward, and Women's Relation to Formal Verse Satire in the Long Eighteenth Century Claudia Thomas Kairoff; 11. Satire as Gossip: Lady Anne Hamilton's The Epics of the Ton Michael Edson; 12. 'An invisible spy': Mary Robinson's Sylphid and the Image of the Satirist Rayna Rosenova; 13. Austen's Menippean Experiments: Paternalism and Empire in the Juvenilia and Mansfield Park Danielle Spratt.
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