David Armstrong
Broadway Nation
How Immigrant, Jewish, Queer, and Black Artists Invented the Broadway Musical
David Armstrong
Broadway Nation
How Immigrant, Jewish, Queer, and Black Artists Invented the Broadway Musical
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A lively cultural history of the Broadway Musical that for the first time explores and reveals how this uniquely American art form was created almost exclusively by people who were marginalized from almost all other aspects of mainstream society â especially Immigrant, Jewish, Queer, African American, and female artists.
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A lively cultural history of the Broadway Musical that for the first time explores and reveals how this uniquely American art form was created almost exclusively by people who were marginalized from almost all other aspects of mainstream society â especially Immigrant, Jewish, Queer, African American, and female artists.
Produktdetails
- Produktdetails
- Verlag: Bloomsbury Publishing PLC
- Seitenzahl: 456
- Erscheinungstermin: 24. Juli 2025
- Englisch
- Abmessung: 232mm x 160mm x 35mm
- Gewicht: 702g
- ISBN-13: 9781350428317
- ISBN-10: 1350428310
- Artikelnr.: 69796798
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: Bloomsbury Publishing PLC
- Seitenzahl: 456
- Erscheinungstermin: 24. Juli 2025
- Englisch
- Abmessung: 232mm x 160mm x 35mm
- Gewicht: 702g
- ISBN-13: 9781350428317
- ISBN-10: 1350428310
- Artikelnr.: 69796798
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
David Armstrong is the writer, producer, and host of Broadway Nation - the popular podcast that tells the remarkable story of how Immigrants, Jews, Queers, African Americans, Women, and other outcasts invented the Broadway Musical and how they changed America in the process. With more than 100 episodes to date, Broadway Nation has reached an audience of more than 135,000 listeners. This podcast was inspired by the popular large lecture course (100 students each quarter) that Armstrong teaches at the University of Washington School of Drama which is titled 'The Broadway Musical'. During his 40-year career Armstrong has worked as a director, producer, playwright, and choreographer at leading theatre companies across America as well as off and on Broadway. He is best known for his work at The 5th Avenue Theatre in Seattle where from 2000 to 2018 he served as Artistic Director & Executive Producer. During his tenure The 5th produced 19 new musicals, nine of which subsequently moved to Broadway including Disney's Aladdin, A Christmas Story - The Musical, and the Tony Award winning "Best Musicals" Hairspray and Memphis.
Table Of Contents
Foreword
Introduction
Overture: What Is A Broadway Musical?
Prologue: Before Broadway
Act I: The Genesis Era
Chapter 1: Yearning To Breathe Free -The Immigrants Who Invented The
Broadway Musical
Chapter 2: Forgotten Forefathers (and Foremothers) - The Black Artists Who
Invented the Broadway Musical
Chapter 3: The Queer Artists Who Invented Broadway
Chapter 4: Anything You Can Do, I Can Do Better - The Founding Mothers of
Broadway
Act II: The Silver Age Of Broadway
Chapter 5: All That Jazz - The Silver Age of Broadway, part 1: The 1920s
Chapter 6: Old Man Trouble, I Don't Mind Him - The Silver Age of the
Broadway Musical, part 2: The 1930s
Act III: The Golden Age Of Broadway
Chapter 7: By Your Pupils You'll Be Taught: A Broadway Legacy Chain From
Harbach, to Hammerstein, to Sondheim, to Miranda
Chapter 8: Something's Coming, Something Good - The Golden Age of Broadway,
part 1
Chapter 9: Another Openin' of Another Show!: The Golden Age of Broadway,
part 2: the 1940s
Chapter 10: Open A New Window - The Golden Age of Broadway, part 3
Part IV: The Modern Era of Broadway
Chapter 11: Let The Sunshine In - The Modern Era of Broadway, part 1: The
Multiple Revolutions of the 1970s
Chapter 12: Do You Hear The People Sing?: Cameron Mackintosh & The British
Invasion (or Sondheim vs the Poperetta) - The Modern Era of Broadway, part
2
Act V: The Principal Themes of the Broadway Musical
Chapter 13: Principal Themes of The Broadway Musical #1 - Anything You Can
Do I Can Do Better: The Trials and Triumphs of Transgressive Women
Chapter 14: Principal Themes of The Broadway Musical #2 - Make Them Hear
You: Equity, Social Justice, and Inclusion.
Chapter 15: Principal Themes Of The Broadway Musical #3 - We Know We Belong
To The Land: The Vital Importance of Community
Chapter 16: Defying Gravity: Broadway in the Twenty-first Century - The
Modern Era, part 3.
Selected Bibliography
Foreword
Introduction
Overture: What Is A Broadway Musical?
Prologue: Before Broadway
Act I: The Genesis Era
Chapter 1: Yearning To Breathe Free -The Immigrants Who Invented The
Broadway Musical
Chapter 2: Forgotten Forefathers (and Foremothers) - The Black Artists Who
Invented the Broadway Musical
Chapter 3: The Queer Artists Who Invented Broadway
Chapter 4: Anything You Can Do, I Can Do Better - The Founding Mothers of
Broadway
Act II: The Silver Age Of Broadway
Chapter 5: All That Jazz - The Silver Age of Broadway, part 1: The 1920s
Chapter 6: Old Man Trouble, I Don't Mind Him - The Silver Age of the
Broadway Musical, part 2: The 1930s
Act III: The Golden Age Of Broadway
Chapter 7: By Your Pupils You'll Be Taught: A Broadway Legacy Chain From
Harbach, to Hammerstein, to Sondheim, to Miranda
Chapter 8: Something's Coming, Something Good - The Golden Age of Broadway,
part 1
Chapter 9: Another Openin' of Another Show!: The Golden Age of Broadway,
part 2: the 1940s
Chapter 10: Open A New Window - The Golden Age of Broadway, part 3
Part IV: The Modern Era of Broadway
Chapter 11: Let The Sunshine In - The Modern Era of Broadway, part 1: The
Multiple Revolutions of the 1970s
Chapter 12: Do You Hear The People Sing?: Cameron Mackintosh & The British
Invasion (or Sondheim vs the Poperetta) - The Modern Era of Broadway, part
2
Act V: The Principal Themes of the Broadway Musical
Chapter 13: Principal Themes of The Broadway Musical #1 - Anything You Can
Do I Can Do Better: The Trials and Triumphs of Transgressive Women
Chapter 14: Principal Themes of The Broadway Musical #2 - Make Them Hear
You: Equity, Social Justice, and Inclusion.
Chapter 15: Principal Themes Of The Broadway Musical #3 - We Know We Belong
To The Land: The Vital Importance of Community
Chapter 16: Defying Gravity: Broadway in the Twenty-first Century - The
Modern Era, part 3.
Selected Bibliography
Table Of Contents
Foreword
Introduction
Overture: What Is A Broadway Musical?
Prologue: Before Broadway
Act I: The Genesis Era
Chapter 1: Yearning To Breathe Free -The Immigrants Who Invented The
Broadway Musical
Chapter 2: Forgotten Forefathers (and Foremothers) - The Black Artists Who
Invented the Broadway Musical
Chapter 3: The Queer Artists Who Invented Broadway
Chapter 4: Anything You Can Do, I Can Do Better - The Founding Mothers of
Broadway
Act II: The Silver Age Of Broadway
Chapter 5: All That Jazz - The Silver Age of Broadway, part 1: The 1920s
Chapter 6: Old Man Trouble, I Don't Mind Him - The Silver Age of the
Broadway Musical, part 2: The 1930s
Act III: The Golden Age Of Broadway
Chapter 7: By Your Pupils You'll Be Taught: A Broadway Legacy Chain From
Harbach, to Hammerstein, to Sondheim, to Miranda
Chapter 8: Something's Coming, Something Good - The Golden Age of Broadway,
part 1
Chapter 9: Another Openin' of Another Show!: The Golden Age of Broadway,
part 2: the 1940s
Chapter 10: Open A New Window - The Golden Age of Broadway, part 3
Part IV: The Modern Era of Broadway
Chapter 11: Let The Sunshine In - The Modern Era of Broadway, part 1: The
Multiple Revolutions of the 1970s
Chapter 12: Do You Hear The People Sing?: Cameron Mackintosh & The British
Invasion (or Sondheim vs the Poperetta) - The Modern Era of Broadway, part
2
Act V: The Principal Themes of the Broadway Musical
Chapter 13: Principal Themes of The Broadway Musical #1 - Anything You Can
Do I Can Do Better: The Trials and Triumphs of Transgressive Women
Chapter 14: Principal Themes of The Broadway Musical #2 - Make Them Hear
You: Equity, Social Justice, and Inclusion.
Chapter 15: Principal Themes Of The Broadway Musical #3 - We Know We Belong
To The Land: The Vital Importance of Community
Chapter 16: Defying Gravity: Broadway in the Twenty-first Century - The
Modern Era, part 3.
Selected Bibliography
Foreword
Introduction
Overture: What Is A Broadway Musical?
Prologue: Before Broadway
Act I: The Genesis Era
Chapter 1: Yearning To Breathe Free -The Immigrants Who Invented The
Broadway Musical
Chapter 2: Forgotten Forefathers (and Foremothers) - The Black Artists Who
Invented the Broadway Musical
Chapter 3: The Queer Artists Who Invented Broadway
Chapter 4: Anything You Can Do, I Can Do Better - The Founding Mothers of
Broadway
Act II: The Silver Age Of Broadway
Chapter 5: All That Jazz - The Silver Age of Broadway, part 1: The 1920s
Chapter 6: Old Man Trouble, I Don't Mind Him - The Silver Age of the
Broadway Musical, part 2: The 1930s
Act III: The Golden Age Of Broadway
Chapter 7: By Your Pupils You'll Be Taught: A Broadway Legacy Chain From
Harbach, to Hammerstein, to Sondheim, to Miranda
Chapter 8: Something's Coming, Something Good - The Golden Age of Broadway,
part 1
Chapter 9: Another Openin' of Another Show!: The Golden Age of Broadway,
part 2: the 1940s
Chapter 10: Open A New Window - The Golden Age of Broadway, part 3
Part IV: The Modern Era of Broadway
Chapter 11: Let The Sunshine In - The Modern Era of Broadway, part 1: The
Multiple Revolutions of the 1970s
Chapter 12: Do You Hear The People Sing?: Cameron Mackintosh & The British
Invasion (or Sondheim vs the Poperetta) - The Modern Era of Broadway, part
2
Act V: The Principal Themes of the Broadway Musical
Chapter 13: Principal Themes of The Broadway Musical #1 - Anything You Can
Do I Can Do Better: The Trials and Triumphs of Transgressive Women
Chapter 14: Principal Themes of The Broadway Musical #2 - Make Them Hear
You: Equity, Social Justice, and Inclusion.
Chapter 15: Principal Themes Of The Broadway Musical #3 - We Know We Belong
To The Land: The Vital Importance of Community
Chapter 16: Defying Gravity: Broadway in the Twenty-first Century - The
Modern Era, part 3.
Selected Bibliography