Why were so many religious images and objects broken and damaged in the course of the Reformation? Margaret Aston's magisterial new book charts the conflicting imperatives of destruction and rebuilding throughout the English Reformation from the desecration of images, rails and screens to bells, organs and stained glass windows.
Why were so many religious images and objects broken and damaged in the course of the Reformation? Margaret Aston's magisterial new book charts the conflicting imperatives of destruction and rebuilding throughout the English Reformation from the desecration of images, rails and screens to bells, organs and stained glass windows.
Margaret Aston is an independent scholar of Medieval History. She has formerly taught at Oxford, Cambridge and the Catholic University, Washington DC. Her work focusses on dissent both before and during the Reformation and iconoclasm and her publications include The Fifteenth Century, Faith and Fire, The King's Bedpost and England's Iconoclasts.
Inhaltsangabe
Introduction Part I: 1. The call to destroy 2. Answering the call 3. Steps to the temple Part II: 4. Saints popular and unpopular: St Thomas of Canterbury and St George 5. Reforming sound: bells and organs 6. Images of the Trinity Part III: 7. Windows 8. The cross 9. Word against image Conclusion.
Introduction Part I: 1. The call to destroy 2. Answering the call 3. Steps to the temple Part II: 4. Saints popular and unpopular: St Thomas of Canterbury and St George 5. Reforming sound: bells and organs 6. Images of the Trinity Part III: 7. Windows 8. The cross 9. Word against image Conclusion.
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