This important 2004 study of Bruckner's symphonies isolates problematic issues of interpretation, analysis, reception and historical location, and offers potential solutions through case studies of individual works.
This important 2004 study of Bruckner's symphonies isolates problematic issues of interpretation, analysis, reception and historical location, and offers potential solutions through case studies of individual works.
Julian Horton is Lecturer in Music at University College Dublin. He contributed an essay to The Cambridge Companion to Bruckner (2003) and has also published articles and reviews on Brucknerian topics in Music and Letters and Music Analysis.
Inhaltsangabe
1. Introduction: the critical problem 2. Bruckner and nineteenth-century Vienna: analysis and historical context 3. Right-wing cultural politics and the Nazi appropriation of Bruckner 4. Bruckner and musical analysis 5. Bruckner and the construction of musical influence 6. Analysis and the problem of the editions 7. Psychobiography and analysis 8. Epilogue: Bruckner and his contexts.
1. Introduction: the critical problem 2. Bruckner and nineteenth-century Vienna: analysis and historical context 3. Right-wing cultural politics and the Nazi appropriation of Bruckner 4. Bruckner and musical analysis 5. Bruckner and the construction of musical influence 6. Analysis and the problem of the editions 7. Psychobiography and analysis 8. Epilogue: Bruckner and his contexts.
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