Through a selection of over 100 world-class drawings created by Flemish artists in the sixteenth and seventeenth centuries, this book gives an insightful and comprehensive overview into how these drawn sheets were used as part of artistic practice, within or beyond the artistâ s studio.
Through a selection of over 100 world-class drawings created by Flemish artists in the sixteenth and seventeenth centuries, this book gives an insightful and comprehensive overview into how these drawn sheets were used as part of artistic practice, within or beyond the artistâ s studio.
The author, An Van Camp, is Christopher Brown Curator of Northern European Art at the Ashmolean Museum of Art and Archaeology (University of Oxford). She has previously co-curated exhibitions on metalpoint drawings and the young Rembrandt and has published widely on Dutch and Flemish drawings and prints. She most recently completed a research project on an online catalogue of the Ashmolean's early-modern German drawings.
Inhaltsangabe
Foreword 7 Introduction 9 Acknowledgements 11 Note to the Reader 12 1 Drawings and Drawing 15 2 South Netherlandish Drawings in Context 27 3 Studying: Copies and Sketches 39 Feature 1: Travelling to Italy and Copying the Antique 56 4 Designing: Drawings Made in Preparation of Other Works 87 Feature 2: Collaborations in Print Design 112 5 Independent Drawings 173 Feature 3: Alba Amicorum 188 List of Exhibited Drawings 215 Notes 229 Bibliography 237 Index of Artists’ Names 242 Image Credits 244
Foreword 7 Introduction 9 Acknowledgements 11 Note to the Reader 12 1 Drawings and Drawing 15 2 South Netherlandish Drawings in Context 27 3 Studying: Copies and Sketches 39 Feature 1: Travelling to Italy and Copying the Antique 56 4 Designing: Drawings Made in Preparation of Other Works 87 Feature 2: Collaborations in Print Design 112 5 Independent Drawings 173 Feature 3: Alba Amicorum 188 List of Exhibited Drawings 215 Notes 229 Bibliography 237 Index of Artists’ Names 242 Image Credits 244
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