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Purchase one of 1st World Library's Classic Books and help support our free internet library of downloadable eBooks. Visit us online at www.1stWorldLibrary.ORG - - An October night on the Syrian border of Egypt towards the end of the XXXIII Dynasty, in the year 706 by Roman computation, afterwards reckoned by Christian computation as 48 B.C. A great radiance of silver fire, the dawn of a moonlit night, is rising in the east. The stars and the cloudless sky are our own contemporaries, nineteen and a half centuries younger than we know them; but you would not guess that from their appearance.…mehr

Produktbeschreibung
Purchase one of 1st World Library's Classic Books and help support our free internet library of downloadable eBooks. Visit us online at www.1stWorldLibrary.ORG - - An October night on the Syrian border of Egypt towards the end of the XXXIII Dynasty, in the year 706 by Roman computation, afterwards reckoned by Christian computation as 48 B.C. A great radiance of silver fire, the dawn of a moonlit night, is rising in the east. The stars and the cloudless sky are our own contemporaries, nineteen and a half centuries younger than we know them; but you would not guess that from their appearance. Below them are two notable drawbacks of civilization: a palace, and soldiers. The palace, an old, low, Syrian building of whitened mud, is not so ugly as Buckingham Palace; and the officers in the courtyard are more highly civilized than modern English officers: for example, they do not dig up the corpses of their dead enemies and mutilate them, as we dug up Cromwell and the Mahdi. They are in two groups: one intent on the gambling of their captain Belzanor, a warrior of fifty, who, with his spear on the ground beside his knee, is stooping to throw dice with a sly-looking young Persian recruit; the other gathered about a guardsman who has just finished telling a naughty story (still current in English barracks) at which they are laughing uproariously. They are about a dozen in number, all highly aristocratic young Egyptian guardsmen, handsomely equipped with weapons and armor, very unEnglish in point of not being ashamed of and uncomfortable in their profess-sional dress; on the contrary, rather ostentatiously and arrogantly warlike, as valuing themselves on their military caste.
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Autorenporträt
George Bernard Shaw (1856-1950) was an Irish playwright, critic, and social reformer known for his sharp wit, satirical commentary, and progressive views. Born in Dublin, Shaw moved to London in his early twenties and became deeply involved in the cultural and intellectual life of the city. "The Apple Cart," written in 1928, is one of Shaw's later plays and is considered a political satire. It explores themes of power, politics, and monarchy in a fictional future Britain. In the play, King Magnus finds himself at odds with his Prime Minister over the monarchy's role in government, leading to a series of witty and thought-provoking debates about democracy, leadership, and the nature of power. Shaw's works often challenged societal norms and conventions, and "The Apple Cart" is no exception, using humor and irony to critique political systems and explore alternative visions for society. As a playwright, Shaw was known for his ability to blend entertainment with intellectual depth, creating memorable characters and engaging dialogue that continue to resonate with audiences today. Beyond his literary achievements, Shaw was a prominent figure in the Fabian Society, a socialist organization advocating for social reform. He used his platform as a writer and public speaker to champion causes such as women's rights, education reform, and economic equality. George Bernard Shaw's legacy as a playwright and thinker is marked by his profound impact on both literature and social discourse. His plays, including "The Apple Cart," remain relevant for their exploration of timeless themes and their enduring relevance to contemporary political and social issues.