An examination of the ways in which Western art and commerce co-opt and trivialize American Indian art and imagery. The author raises questions about how people travel, what they buy, and how they determine cultural merit.
An examination of the ways in which Western art and commerce co-opt and trivialize American Indian art and imagery. The author raises questions about how people travel, what they buy, and how they determine cultural merit.
Deborah Root teaches art history at the Ontario College of Art and postcolonial theory in the Faculty of Architecture and Landscape Architecture at the University of Toronto.
Inhaltsangabe
Preface Fat Eaters and Aesthetes: The Politics of Display The Luxurious Ambivalence of Exoticism Conquest, Appropriation, and Cultural Difference Art and Taxidermy: The Warehouse of Treasures Dreams and Landscapes: The Delineation of Wild Spaces The Smoking Mirror
Preface Fat Eaters and Aesthetes: The Politics of Display The Luxurious Ambivalence of Exoticism Conquest, Appropriation, and Cultural Difference Art and Taxidermy: The Warehouse of Treasures Dreams and Landscapes: The Delineation of Wild Spaces The Smoking Mirror
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