This book appeals to scholars with interests in Shakespeare's authorial and publication history and book history, from the Renaissance to the early eighteenth century. International experts show how booksellers, editors, printers and publishers shaped the Shakespeare canon, adapting the presentation of Shakespeare's plays and poems for a range of consumers.
This book appeals to scholars with interests in Shakespeare's authorial and publication history and book history, from the Renaissance to the early eighteenth century. International experts show how booksellers, editors, printers and publishers shaped the Shakespeare canon, adapting the presentation of Shakespeare's plays and poems for a range of consumers.
1. Introduction Emma Depledge and Peter Kirwan; Part I. Selling Shakespeare: 2. Shakespeare for sale, 1640-1740 Emma Depledge; 3. Royalist Shakespeare: publishers, politics and the appropriation of The Rape of Lucrece (1655) Adam G. Hooks; 4. Henry Herringman, Richard Bentley and Shakespeare's Fourth Folio (1685) Francis X. Connor; 5. Shakespeare without rules: the fifth Shakespeare folio and market demand in the early 1700s Lara Hansen and Eric Rasmussen; 6. The 1734-5 price wars, Antony and Cleopatra and the theatrical imagination Anthony Brano. Part II. Consolidating the Shakespeare Canon: 7. Consolidating the Shakespeare canon, 1640-1740 Peter Kirwan; 8. John Benson's 1640 poems and its literary precedents Faith Acker; 9. Cupids Cabinet Unlock't (1662), ostensibly 'by W. Shakespeare', in fact partly by John Milton Lukas Erne; 10. Discovering Shakespeare's personal style: editing and connoisseurship in the eighteenth century Edmund G. C. King; Part III. Editing Shakespeare: 11. Editing Shakespeare, 1640-1740 Emma Depledge and Peter Kirwan; 12. Dramatic typography and the restoration quartos of Hamlet Claire M. L. Bourne; 13. The 1709/11 editions of Shakespeare's poems Paul D. Cannan; 14. Alexander Pope, interventionist editing and The Taming of the Shrew (1725) Jonathan H. Holmes; 15. Editorial annotations in Shakespeare editions after 1733 Adam Rounce; 16. Afterword Patrick Cheney.
1. Introduction Emma Depledge and Peter Kirwan; Part I. Selling Shakespeare: 2. Shakespeare for sale, 1640-1740 Emma Depledge; 3. Royalist Shakespeare: publishers, politics and the appropriation of The Rape of Lucrece (1655) Adam G. Hooks; 4. Henry Herringman, Richard Bentley and Shakespeare's Fourth Folio (1685) Francis X. Connor; 5. Shakespeare without rules: the fifth Shakespeare folio and market demand in the early 1700s Lara Hansen and Eric Rasmussen; 6. The 1734-5 price wars, Antony and Cleopatra and the theatrical imagination Anthony Brano. Part II. Consolidating the Shakespeare Canon: 7. Consolidating the Shakespeare canon, 1640-1740 Peter Kirwan; 8. John Benson's 1640 poems and its literary precedents Faith Acker; 9. Cupids Cabinet Unlock't (1662), ostensibly 'by W. Shakespeare', in fact partly by John Milton Lukas Erne; 10. Discovering Shakespeare's personal style: editing and connoisseurship in the eighteenth century Edmund G. C. King; Part III. Editing Shakespeare: 11. Editing Shakespeare, 1640-1740 Emma Depledge and Peter Kirwan; 12. Dramatic typography and the restoration quartos of Hamlet Claire M. L. Bourne; 13. The 1709/11 editions of Shakespeare's poems Paul D. Cannan; 14. Alexander Pope, interventionist editing and The Taming of the Shrew (1725) Jonathan H. Holmes; 15. Editorial annotations in Shakespeare editions after 1733 Adam Rounce; 16. Afterword Patrick Cheney.
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