Canticos Funebres
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"Canticos Funebres" is a collection of poems by Domingos JosÃ(c) Gonçalves de Magalhães, Visconde de Araguaia, a prominent figure in 19th-century Brazilian literature. These funeral songs, originally written in Portuguese, reflect the Romantic era's preoccupation with themes of death, mourning, and the afterlife. This collection offers a glimpse into the literary and cultural landscape of 19th-century Brazil, showcasing the author's lyrical talent and his engagement with universal human experiences. "Canticos Funebres" remains a valuable contribution to Latin American literary heritage,…mehr

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"Canticos Funebres" is a collection of poems by Domingos JosÃ(c) Gonçalves de Magalhães, Visconde de Araguaia, a prominent figure in 19th-century Brazilian literature. These funeral songs, originally written in Portuguese, reflect the Romantic era's preoccupation with themes of death, mourning, and the afterlife. This collection offers a glimpse into the literary and cultural landscape of 19th-century Brazil, showcasing the author's lyrical talent and his engagement with universal human experiences. "Canticos Funebres" remains a valuable contribution to Latin American literary heritage, appealing to scholars and enthusiasts of poetry, history, and the Romantic movement. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.