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Fourteen years in the US Army, part of them as an off-the-record sniper in Afghanistan, had taught Carli Vincenzo how to play fair, take care of problems the moment they arose, and handle herself in just about any situation. Then her daughter, Lara, was raped and driven to suicide. At first, Carli tried to find justice through the legal system. But when that failed, her training had also taught her to always have a Plan B. In this case, that meant taking matters into her own hands. And those hands were willing to do anything to punish the men responsible...even if that included one who was innocent.…mehr

Produktbeschreibung
Fourteen years in the US Army, part of them as an off-the-record sniper in Afghanistan, had taught Carli Vincenzo how to play fair, take care of problems the moment they arose, and handle herself in just about any situation. Then her daughter, Lara, was raped and driven to suicide. At first, Carli tried to find justice through the legal system. But when that failed, her training had also taught her to always have a Plan B. In this case, that meant taking matters into her own hands. And those hands were willing to do anything to punish the men responsible...even if that included one who was innocent.
Autorenporträt
Kyle Michel Sullivan used to write screenplays, but shifted to writing books that range from sunshine and light (David Mar-tin) to cold and dark (How To Rape A Straight Guy, which has been banned more than once) to farcical and insane (The Lyons' Den) to mainstream romance (The Alice '65) to a tale of tragedy and redemption (Bobby Carapisi). He has ventured into SF-Horror-Suspense with The Beast in the Nothing Room, done gay revenge in Porno Manifesto and worked up a vicious female revenge thriller in Carli's Kills, then taken Cap-italism to its logical extreme in Hunter. He has also written murder mysteries (Rape in Holding Cell 6, The Vanishing of Owen Taylor, and Underground Guy). He tries to build characters as vivid and real as possible and has a lot of fun doing it mixed with angst, anger, and amaze-ment ... but that's the lot of a writer.