Mariana Ortega presents a phenomenological study of aesthetics grounded in the work of Latinx artists, theorizing that photography is an affective medium crucial for processes of self-formation, resistance, and mourning in Latinx life.
Mariana Ortega presents a phenomenological study of aesthetics grounded in the work of Latinx artists, theorizing that photography is an affective medium crucial for processes of self-formation, resistance, and mourning in Latinx life.
Preface: Skin of Light ix Acknowledgments xi Introduction 1 I. Carnal Crossings: Eye and Mouth 27 1. Affected by the Eye: A Prelude to a Carnal Aesthetics 29 2. To Be a Mouth: Anzalduan Carnalities 56 3. Spilling Herself in Trees: Autoarte and Laura Aguilar’s Queer Erotics 87 II. Border Crossings: Sorrow and Memory 131 4. Sorrow, Aesthetic Unsettlement, and Sonic Rupture in the Mexico-US Borderlands 133 5. Crossing and Feeling Brown: Verónica Gabriela Cárdenas’s Carnal Light 171 6. Something Very Extraordinary: Incandescence and the Wounding Photograph 210 Notes 233 Bibliography 287 Index 309
Preface: Skin of Light ix Acknowledgments xi Introduction 1 I. Carnal Crossings: Eye and Mouth 27 1. Affected by the Eye: A Prelude to a Carnal Aesthetics 29 2. To Be a Mouth: Anzalduan Carnalities 56 3. Spilling Herself in Trees: Autoarte and Laura Aguilar’s Queer Erotics 87 II. Border Crossings: Sorrow and Memory 131 4. Sorrow, Aesthetic Unsettlement, and Sonic Rupture in the Mexico-US Borderlands 133 5. Crossing and Feeling Brown: Verónica Gabriela Cárdenas’s Carnal Light 171 6. Something Very Extraordinary: Incandescence and the Wounding Photograph 210 Notes 233 Bibliography 287 Index 309
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