Anton Pujol is an associate professor of Spanish at the University of North Carolina at Charlotte. Jaume Martí-Olivella is an associate professor of Hispanic film and cultural studies at the University of New Hampshire.
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Acknowledgments List of Illustrations Introduction Anton Pujol and Jaume Martí-Olivella Part One: The Mavericks and the Barcelona School 1. Future Seeds: Some Considerations on the Cinema around Barcelona 92 Angel Quintana Part Two: The Jordà Legacy 2. The Hunter and the Monkeys: Jacinto Esteva, Joaquim Jordà, and the Legacy of the Barcelona School Esteve Riambau 3. Jordà’s Last Trilogy: Situationist Turn and Subject Transformation Ignasi Gozalo-Salellas 4. The Militant Cinema of Joaquim Jordà Steven Marsh Part Three: The Portabella Nexus 5. Economies of Sound: Labouring Europe in Pere Portabella and Carles Santos Sara Nadal-Melsió 6. Pere Portabella’s Radical Theatricality: A Political Gaze Over Two Transitions Jaume Martí-Olivella 7. Traversing the Real with the Reel: Pere Portabella’s Vampir.Cuadecuc and Albert Serra’s Història de la meva mort Infrapolitical Spectrality Teresa M. Vilarós Part Four: The New (Post) Avant-Garde 8. Beyond Melancholy: The Post-Avant-Garde Cinema of José Luis Guerín Josep Maria Català 9. On the Threshold of the Diegetic World: Optical and Haptic Visuality in Elisa K Eva Bru 10. Watching Novels and Reading Films: Deleuzian Affects in Catalan Cinema Anton Pujol Part Five: Minimalism and Beyond 11. Formal Disruption, Minutiae, and Absence in the Films of Jaime Rosales Agustín Rico-Albero 12. Identitykit: Where Do We Meet Isaki Lacuesta Josetxo Cerdán and Miguel Fernández Labayen Contributors Index Edition Statement (e.g. "2nd Edition"):
Acknowledgments List of Illustrations Introduction Anton Pujol and Jaume Martí-Olivella Part One: The Mavericks and the Barcelona School 1. Future Seeds: Some Considerations on the Cinema around Barcelona 92 Angel Quintana Part Two: The Jordà Legacy 2. The Hunter and the Monkeys: Jacinto Esteva, Joaquim Jordà, and the Legacy of the Barcelona School Esteve Riambau 3. Jordà’s Last Trilogy: Situationist Turn and Subject Transformation Ignasi Gozalo-Salellas 4. The Militant Cinema of Joaquim Jordà Steven Marsh Part Three: The Portabella Nexus 5. Economies of Sound: Labouring Europe in Pere Portabella and Carles Santos Sara Nadal-Melsió 6. Pere Portabella’s Radical Theatricality: A Political Gaze Over Two Transitions Jaume Martí-Olivella 7. Traversing the Real with the Reel: Pere Portabella’s Vampir.Cuadecuc and Albert Serra’s Història de la meva mort Infrapolitical Spectrality Teresa M. Vilarós Part Four: The New (Post) Avant-Garde 8. Beyond Melancholy: The Post-Avant-Garde Cinema of José Luis Guerín Josep Maria Català 9. On the Threshold of the Diegetic World: Optical and Haptic Visuality in Elisa K Eva Bru 10. Watching Novels and Reading Films: Deleuzian Affects in Catalan Cinema Anton Pujol Part Five: Minimalism and Beyond 11. Formal Disruption, Minutiae, and Absence in the Films of Jaime Rosales Agustín Rico-Albero 12. Identitykit: Where Do We Meet Isaki Lacuesta Josetxo Cerdán and Miguel Fernández Labayen Contributors Index Edition Statement (e.g. "2nd Edition"):
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