Chantal Akerman
Travelling
Herausgeber: Bozar-Centre for Fine Arts; Jeu de Paume
Chantal Akerman
Travelling
Herausgeber: Bozar-Centre for Fine Arts; Jeu de Paume
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This book is a posthumous collective portrait of Chantal Akerman as one of the most influential filmmakers of our time, with contributions from people who admired her and worked closely with her.
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This book is a posthumous collective portrait of Chantal Akerman as one of the most influential filmmakers of our time, with contributions from people who admired her and worked closely with her.
Produktdetails
- Produktdetails
- Verlag: Lannoo Publishers
- Seitenzahl: 208
- Erscheinungstermin: 1. Juni 2024
- Englisch
- Abmessung: 239mm x 174mm x 20mm
- Gewicht: 592g
- ISBN-13: 9789401410922
- ISBN-10: 9401410925
- Artikelnr.: 70050836
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: Lannoo Publishers
- Seitenzahl: 208
- Erscheinungstermin: 1. Juni 2024
- Englisch
- Abmessung: 239mm x 174mm x 20mm
- Gewicht: 592g
- ISBN-13: 9789401410922
- ISBN-10: 9401410925
- Artikelnr.: 70050836
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Edited by Bozar-Centre for Fine Arts & Jeu de Paume. With contributions from Claire Atherton, Jacqueline Aubenas, Luc Benhamou, Anouk De Clercq, Jan Decorte, Verónica Gago, Christophe Honoré, Latifa Laâbissi, Sylvie Lindeperg, Sharon Lockhart, Eileen Myles, Nicolás Pereda, Wang Bing, Marilyn Watelet, Sonia Wieder-Atherton
5 Chantal Akerman, Bordering on Fiction Christophe Slagmuylder, Zoë Gray,
Quentin Bajac 9 Travelling Céline Brouwez, Marta Ponsa, Laurence Rassel,
Alberta Sessa 17 News from Chantal The Maternal Territory and the
Novelistic Landscape Jacqueline Aubenas 23 ‘My name is Jan and I play the
role of Sylvain in Chantal’s film, called Jeanne Dielman’ Anouk De Clercq
in conversation with Jan Decorte 35 Trying to Dismantle the Home with the
Tools of the Trade Verónica Gago 43 Phantom Gestures Latifa Laâbissi 49
inside ‘i, you, he, she’ Eileen Myles 69 Chantal and the Cello Sonia
Wieder-Atherton 83 The River Luc Benhamou 101 The Golden Fleece –Summer
2023 Christophe Honoré 109 Resonances Claire Atherton 123 From the East:
Space as Question, Time as Border Sylvie Lindeperg 133 Of Place and
Performance Sharon Lockhart 143 Traces Wang Bing 149 Dear Chantal Nicolás
Pereda 159 ‘Don’t worry. Whatever you do, don’t worry. Everything will be
fine.’ Marilyn Watelet 163 Subjective Filmo-biography Jacqueline Aubenas,
Marilyn Watelet 193 Toward the Future Sylviane Akerman 195 A Professional
Tenderness Tomas Leyers 196 Translation of the documents
Quentin Bajac 9 Travelling Céline Brouwez, Marta Ponsa, Laurence Rassel,
Alberta Sessa 17 News from Chantal The Maternal Territory and the
Novelistic Landscape Jacqueline Aubenas 23 ‘My name is Jan and I play the
role of Sylvain in Chantal’s film, called Jeanne Dielman’ Anouk De Clercq
in conversation with Jan Decorte 35 Trying to Dismantle the Home with the
Tools of the Trade Verónica Gago 43 Phantom Gestures Latifa Laâbissi 49
inside ‘i, you, he, she’ Eileen Myles 69 Chantal and the Cello Sonia
Wieder-Atherton 83 The River Luc Benhamou 101 The Golden Fleece –Summer
2023 Christophe Honoré 109 Resonances Claire Atherton 123 From the East:
Space as Question, Time as Border Sylvie Lindeperg 133 Of Place and
Performance Sharon Lockhart 143 Traces Wang Bing 149 Dear Chantal Nicolás
Pereda 159 ‘Don’t worry. Whatever you do, don’t worry. Everything will be
fine.’ Marilyn Watelet 163 Subjective Filmo-biography Jacqueline Aubenas,
Marilyn Watelet 193 Toward the Future Sylviane Akerman 195 A Professional
Tenderness Tomas Leyers 196 Translation of the documents
5 Chantal Akerman, Bordering on Fiction Christophe Slagmuylder, Zoë Gray,
Quentin Bajac 9 Travelling Céline Brouwez, Marta Ponsa, Laurence Rassel,
Alberta Sessa 17 News from Chantal The Maternal Territory and the
Novelistic Landscape Jacqueline Aubenas 23 ‘My name is Jan and I play the
role of Sylvain in Chantal’s film, called Jeanne Dielman’ Anouk De Clercq
in conversation with Jan Decorte 35 Trying to Dismantle the Home with the
Tools of the Trade Verónica Gago 43 Phantom Gestures Latifa Laâbissi 49
inside ‘i, you, he, she’ Eileen Myles 69 Chantal and the Cello Sonia
Wieder-Atherton 83 The River Luc Benhamou 101 The Golden Fleece –Summer
2023 Christophe Honoré 109 Resonances Claire Atherton 123 From the East:
Space as Question, Time as Border Sylvie Lindeperg 133 Of Place and
Performance Sharon Lockhart 143 Traces Wang Bing 149 Dear Chantal Nicolás
Pereda 159 ‘Don’t worry. Whatever you do, don’t worry. Everything will be
fine.’ Marilyn Watelet 163 Subjective Filmo-biography Jacqueline Aubenas,
Marilyn Watelet 193 Toward the Future Sylviane Akerman 195 A Professional
Tenderness Tomas Leyers 196 Translation of the documents
Quentin Bajac 9 Travelling Céline Brouwez, Marta Ponsa, Laurence Rassel,
Alberta Sessa 17 News from Chantal The Maternal Territory and the
Novelistic Landscape Jacqueline Aubenas 23 ‘My name is Jan and I play the
role of Sylvain in Chantal’s film, called Jeanne Dielman’ Anouk De Clercq
in conversation with Jan Decorte 35 Trying to Dismantle the Home with the
Tools of the Trade Verónica Gago 43 Phantom Gestures Latifa Laâbissi 49
inside ‘i, you, he, she’ Eileen Myles 69 Chantal and the Cello Sonia
Wieder-Atherton 83 The River Luc Benhamou 101 The Golden Fleece –Summer
2023 Christophe Honoré 109 Resonances Claire Atherton 123 From the East:
Space as Question, Time as Border Sylvie Lindeperg 133 Of Place and
Performance Sharon Lockhart 143 Traces Wang Bing 149 Dear Chantal Nicolás
Pereda 159 ‘Don’t worry. Whatever you do, don’t worry. Everything will be
fine.’ Marilyn Watelet 163 Subjective Filmo-biography Jacqueline Aubenas,
Marilyn Watelet 193 Toward the Future Sylviane Akerman 195 A Professional
Tenderness Tomas Leyers 196 Translation of the documents







