This book examines Chekhov's four major plays, analyzing how his non-aristocratic background influenced his literary style. It applies Bloom's anxiety of influence theory to his distinctive use of intertextuality, combining Russian and Western scholarship to offer new perspectives for theatre and Russian literature scholars.
This book examines Chekhov's four major plays, analyzing how his non-aristocratic background influenced his literary style. It applies Bloom's anxiety of influence theory to his distinctive use of intertextuality, combining Russian and Western scholarship to offer new perspectives for theatre and Russian literature scholars.
Jim Curtis is Professor Emeritus of Russian Literature. He received his PhD from Columbia University and was professor of Russian literature at the University of Missouri-Columbia for 31 years.
Inhaltsangabe
Preface Part I. General Considerations Chapter 1. Individuation and Ideas in Two Jewish Critics: Yury Tynyanov and Harold Bloom Chapter 2. The Unity of Chekhov's Four Great Plays Part II. Chekhov's Evolution Chapter 3. Chekhov in the 1870s: Initial Encounters with Authority Figures Chapter 4. Chekhov in the 1880s: The Eventful Decade Chapter 5. Chekhov's Maturation in the Age of Impressionism Part III. Chekhov's Plays Chapter 6. Ephebes and Precursors in The Seagull Chapter 7. Uncle Vanya, the Anti-Seagull (5,402 words) Chapter 8. The Three Sisters, a Unique Chekhov Play Chapter 9. The Cherry Orchard, an Innovative Swan Song Conclusion Bibliography Index
Preface Part I. General Considerations Chapter 1. Individuation and Ideas in Two Jewish Critics: Yury Tynyanov and Harold Bloom Chapter 2. The Unity of Chekhov's Four Great Plays Part II. Chekhov's Evolution Chapter 3. Chekhov in the 1870s: Initial Encounters with Authority Figures Chapter 4. Chekhov in the 1880s: The Eventful Decade Chapter 5. Chekhov's Maturation in the Age of Impressionism Part III. Chekhov's Plays Chapter 6. Ephebes and Precursors in The Seagull Chapter 7. Uncle Vanya, the Anti-Seagull (5,402 words) Chapter 8. The Three Sisters, a Unique Chekhov Play Chapter 9. The Cherry Orchard, an Innovative Swan Song Conclusion Bibliography Index
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