This collection explores and interrogates the complex role of the child character in the dystopian landscape of post-apocalyptic cinema, including classic, recent, and international films, approached from a variety of theoretical, methodological, and cultural perspectives.
This collection explores and interrogates the complex role of the child character in the dystopian landscape of post-apocalyptic cinema, including classic, recent, and international films, approached from a variety of theoretical, methodological, and cultural perspectives.
Debbie Olson is lecturer at the University of Texas at Arlington.
Inhaltsangabe
Introduction, Debbie Olson Chapter 1: Monstrous Conceptions: Reading Cronenberg's The Brood (1979) and Anton Leader's Children of the Damned (1963), Aryak Guha Chapter 2: Sustenance for the Body and the Soul: Children as a Vision of the Future of Humanity, and a Reflection of Past Sins in Post-Apocalyptic Cinema, Jennifer Brown Chapter 3: Perpetual Horizons: Reproductive Futurity in Post-Apocalyptic Films, Mark Heimermann Chapter 4: The Child is my Warrant: Virtue, Violence and The Road's Radical Humanism, Joseph Wiinikka-Lydon Chapter 5: Space and Children in Post-Apocalyptic Film: The Road and Les Temps du Loup, Eduardo Barros-Grela and María Bobadilla Pérez Chapter 6: When Disney Went Apocalyptic: The Symbolism of Apocalyptic Images in a Post-9/11 World, Eric D. Miller Chapter 7: Children of Hope: Portrayal of Children in Post-Apocalyptic Films after 9/11, Betül Atesçi Koçak Chapter 8: "Until the world deserves them": Representations of children in The Day After, Testament, and Threads, Tarah Bro
Introduction, Debbie Olson Chapter 1: Monstrous Conceptions: Reading Cronenberg's The Brood (1979) and Anton Leader's Children of the Damned (1963), Aryak Guha Chapter 2: Sustenance for the Body and the Soul: Children as a Vision of the Future of Humanity, and a Reflection of Past Sins in Post-Apocalyptic Cinema, Jennifer Brown Chapter 3: Perpetual Horizons: Reproductive Futurity in Post-Apocalyptic Films, Mark Heimermann Chapter 4: The Child is my Warrant: Virtue, Violence and The Road's Radical Humanism, Joseph Wiinikka-Lydon Chapter 5: Space and Children in Post-Apocalyptic Film: The Road and Les Temps du Loup, Eduardo Barros-Grela and María Bobadilla Pérez Chapter 6: When Disney Went Apocalyptic: The Symbolism of Apocalyptic Images in a Post-9/11 World, Eric D. Miller Chapter 7: Children of Hope: Portrayal of Children in Post-Apocalyptic Films after 9/11, Betül Atesçi Koçak Chapter 8: "Until the world deserves them": Representations of children in The Day After, Testament, and Threads, Tarah Bro
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