Metzger shows how aesthetics, gender, politics, economics, and race are interwoven and argues that close examination of particular forms of dress can help us think anew about gender and modernity.
Metzger shows how aesthetics, gender, politics, economics, and race are interwoven and argues that close examination of particular forms of dress can help us think anew about gender and modernity.
Sean Metzger is Assistant Professor of Performance Studies in the UCLA School of Theater, Film, and Television. He is editor (with Olivia Khoo) of Futures of Chinese Cinema: Technologies and Temporalities in Chinese Screen Cultures and (with Gina Masequesmay) of Embodying Asian/American Sexualities.
Inhaltsangabe
Introduction Part I. The Queue 1. Charles Parsloe's Chinese Fetish 2. Screening Tails Part II. The Qipao 3. Anna May Wong and the Qipao's American Debut 4. Exoticus Eroticus, or the Silhouette of Suzie's Slits during the Cold War 5. Cut from Memory: Wong Kar-Wai's Fashionable Homage Part III. The Mao Suit 6. An Unsightly Vision 7. Uniform Beliefs? 8. Mao Fun Suits Epilogue: The Tuxedo Notes Index
Introduction Part I. The Queue 1. Charles Parsloe's Chinese Fetish 2. Screening Tails Part II. The Qipao 3. Anna May Wong and the Qipao's American Debut 4. Exoticus Eroticus, or the Silhouette of Suzie's Slits during the Cold War 5. Cut from Memory: Wong Kar-Wai's Fashionable Homage Part III. The Mao Suit 6. An Unsightly Vision 7. Uniform Beliefs? 8. Mao Fun Suits Epilogue: The Tuxedo Notes Index
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