In Choreographing History, historians of science, sexuality, the arts, and history itself focuses on the body, merging the project of writing about the body with theoretical concerns in the writing of history.
In Choreographing History, historians of science, sexuality, the arts, and history itself focuses on the body, merging the project of writing about the body with theoretical concerns in the writing of history.
SUSAN LEIGH FOSTER, Professor and Chair of the Department of Dance at the University of California, Riverside, is the author of Reading Dancing: Bodies and Subjects in Contemporary American Dance.
Inhaltsangabe
Acknowledgments An Introduction to Moving Bodies Choreographing History-Susan Leigh Foster Resurrecting Historical Bodies Toward a Universal Language of Motion: Reflections on a Seventeenth-Century Muscle Man-Stephen Greenblatt Interval Training-John MacAloon Bodily Interventions into Academic Disciplines Tacit Knowledge, Courtliness, and the Scientist's Body-Mario Biagioli Music, the Pythagoreans, and the Body-Susan McClary Agency and History: The Demands of Dance Ethnography-Randy Martin Moving Theory Across Bodies of Practice Credit, Novels, Masturbation-Thomas W. Laqueur Advertising Every Body: Images from the Japanese Modern Years-Miriam Silverberg Bodies of Doctrine: Headshots, Jane Austen, and the Black Indians of Mardi Gras-Joseph Roach Historians as Bodies in Motion Modern Dance in the Third Reich: Six Positions and a Coda-Susan A. Manning The Body's Endeavors as Cultural Practices-Cynthia J. Novak Different Personas: A History of One's Own?-Lena Hammergren Embodying Theory Meditations on the Patriarchal Pythagorean Pratfall and the Lesbian Siamesia Two-Step-Sue-Ellen Case Thirteen Ways of Looking at Choreographing Writing-Peggy Phelan Bodies of Evidence: Law and Order, Sexy Machines, and the Erotics of Fieldwork among Physicists-Sharon Traweek Bodies and Their Plots-Hayden White Bibliography Notes on Contributors Index
Acknowledgments An Introduction to Moving Bodies Choreographing History-Susan Leigh Foster Resurrecting Historical Bodies Toward a Universal Language of Motion: Reflections on a Seventeenth-Century Muscle Man-Stephen Greenblatt Interval Training-John MacAloon Bodily Interventions into Academic Disciplines Tacit Knowledge, Courtliness, and the Scientist's Body-Mario Biagioli Music, the Pythagoreans, and the Body-Susan McClary Agency and History: The Demands of Dance Ethnography-Randy Martin Moving Theory Across Bodies of Practice Credit, Novels, Masturbation-Thomas W. Laqueur Advertising Every Body: Images from the Japanese Modern Years-Miriam Silverberg Bodies of Doctrine: Headshots, Jane Austen, and the Black Indians of Mardi Gras-Joseph Roach Historians as Bodies in Motion Modern Dance in the Third Reich: Six Positions and a Coda-Susan A. Manning The Body's Endeavors as Cultural Practices-Cynthia J. Novak Different Personas: A History of One's Own?-Lena Hammergren Embodying Theory Meditations on the Patriarchal Pythagorean Pratfall and the Lesbian Siamesia Two-Step-Sue-Ellen Case Thirteen Ways of Looking at Choreographing Writing-Peggy Phelan Bodies of Evidence: Law and Order, Sexy Machines, and the Erotics of Fieldwork among Physicists-Sharon Traweek Bodies and Their Plots-Hayden White Bibliography Notes on Contributors Index
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