Drawing upon primary documents from the Korean Film Archive’s digitized database and framing South Korean film censorship from a transnational perspective, Cinema Under National Reconstruction redefines censorship as a productive feedback system where both state regulators and filmmakers played active roles in shaping the new narrative or sentiment of the nation on the big screen.
Drawing upon primary documents from the Korean Film Archive’s digitized database and framing South Korean film censorship from a transnational perspective, Cinema Under National Reconstruction redefines censorship as a productive feedback system where both state regulators and filmmakers played active roles in shaping the new narrative or sentiment of the nation on the big screen.
HYE SEUNG CHUNG is a professor of film and media studies at Colorado State University, Fort Collins. She is the co-author of Movie Minorities: Transnational Rights Advocacy and South Korean Cinema (Rutgers University Press, 2021) and Movie Migrations: Transnational Genre Flows and South Korean Cinema (Rutgers University Press, 2015), and the author of Hollywood Diplomacy: Film Regulation, Foreign Relations, and East Asian Representations (Rutgers University Press, 2020).
Inhaltsangabe
NOTE ON TEXT CHRONOLOGY A LIST OF AGENCIES AND ACRONYMS INTRODUCTION: Archival Revisionism and New Korean Film Historiography CHAPTER 1: Fending off Darkness, Uplifting National Cinema: Korean Film Censorship and The Stray Bullet CHAPTER 2: From Blackboard Jungle to The Teahouse of the August Moon: Censoring Hollywood in Postcolonial Korea CHAPTER 3: Myths of Martyrs and Heroes in a Godless Land: Interagency Regulation of 1960s Anticommunist Films CHAPTER 4: Cinematic Censorship as Sentimental Education: Indoctrinating Gaiety as National Emotion in Yushin-Era Youth Comedies CHAPTER 5: Censors as Audiences and Vice Versa: Sex, Politics, and Labor in 1981 CHAPTER 6: Beyond Oral Histories and Trade Legends: A Bourdieusian-Foucauldian Deconstruction of Anti-Censorship Myths EPILOGUE: Media Ratings, the End of Censorship? ACKNOWLEDGMENTS INDEX
NOTE ON TEXT CHRONOLOGY A LIST OF AGENCIES AND ACRONYMS INTRODUCTION: Archival Revisionism and New Korean Film Historiography CHAPTER 1: Fending off Darkness, Uplifting National Cinema: Korean Film Censorship and The Stray Bullet CHAPTER 2: From Blackboard Jungle to The Teahouse of the August Moon: Censoring Hollywood in Postcolonial Korea CHAPTER 3: Myths of Martyrs and Heroes in a Godless Land: Interagency Regulation of 1960s Anticommunist Films CHAPTER 4: Cinematic Censorship as Sentimental Education: Indoctrinating Gaiety as National Emotion in Yushin-Era Youth Comedies CHAPTER 5: Censors as Audiences and Vice Versa: Sex, Politics, and Labor in 1981 CHAPTER 6: Beyond Oral Histories and Trade Legends: A Bourdieusian-Foucauldian Deconstruction of Anti-Censorship Myths EPILOGUE: Media Ratings, the End of Censorship? ACKNOWLEDGMENTS INDEX
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Internetauftritt der buecher.de internetstores GmbH
Geschäftsführung: Monica Sawhney | Roland Kölbl | Günter Hilger
Sitz der Gesellschaft: Batheyer Straße 115 - 117, 58099 Hagen
Postanschrift: Bürgermeister-Wegele-Str. 12, 86167 Augsburg
Amtsgericht Hagen HRB 13257
Steuernummer: 321/5800/1497
USt-IdNr: DE450055826