Tessa Lairdâ s passionate inquiry into the ways that films mimic the majesty, mystery, and movements of animals, her field notes from countless hair-raising encounters with films in their natural habitat.
Tessa Lairdâ s passionate inquiry into the ways that films mimic the majesty, mystery, and movements of animals, her field notes from countless hair-raising encounters with films in their natural habitat.
Tessa Laird is an artist, writer, and senior lecturer at the Victorian College of the Arts, University of Melbourne. Her books include a fictocritical exploration of color, A Rainbow Reader, and a cultural history of bats, Bat, in Reaktion Books’s celebrated Animal series.
Inhaltsangabe
Contents Introduction: Hatching the Cinemal 1. Color Is an Animal 2. Speeds and Slownesses 3. Scratch and Sniff: Animal Umwelten 4. The Cry: Insides on the Outside 5. The Liveliness of All Things (Including the Dead) Conclusion: Dappling in the Metacinema of the Universe Acknowledgments Notes Bibliography Index
Contents Introduction: Hatching the Cinemal 1. Color Is an Animal 2. Speeds and Slownesses 3. Scratch and Sniff: Animal Umwelten 4. The Cry: Insides on the Outside 5. The Liveliness of All Things (Including the Dead) Conclusion: Dappling in the Metacinema of the Universe Acknowledgments Notes Bibliography Index
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