In Cinema's Baroque Flesh, Saige Walton draws on the philosophy of Maurice Merleau-Ponty to argue for a distinct aesthetic category of film and a unique cinema of the senses: baroque cinema.
In Cinema's Baroque Flesh, Saige Walton draws on the philosophy of Maurice Merleau-Ponty to argue for a distinct aesthetic category of film and a unique cinema of the senses: baroque cinema.
Saige Walton is Lecturer in Screen Studies at the University of South Australia, a member of the Hawke Research Institute and a former assistant curator with the Australian Centre for the Moving Image.
Inhaltsangabe
Introduction Chapter 1 Flesh Cinema and the Baroque: The Aesthetics of Reversibility Chapter 2 Knots of Sensation: Co-Extensive Space and a Cinema of the Passions Chapter 3 Baroque Skin/Semiotics Chapter 4 One Hand Films the Other: Towards a Baroque Haptics Conclusion: Or the Baroque 'Beauty of the Act' Bibliography Filmography Endnotes.
Introduction Chapter 1 Flesh Cinema and the Baroque: The Aesthetics of Reversibility Chapter 2 Knots of Sensation: Co-Extensive Space and a Cinema of the Passions Chapter 3 Baroque Skin/Semiotics Chapter 4 One Hand Films the Other: Towards a Baroque Haptics Conclusion: Or the Baroque 'Beauty of the Act' Bibliography Filmography Endnotes.
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