Paul Matthew St. Pierre

Cinematography in the Weimar Republic

Lola Lola, Dirty Singles, and the Men Who Shot Them

• Gebundenes Buch

Produktbeschreibung

Cinematography in the Weimar Republic argues that the new medium of film was preeminent among the avant-garde art forms that distinguished the cultural renaissance of the Weimar Republic and that within this progressive medium cinematographers were the leading purveyors of the new kinetic visual imaginary.

Produktdetails

• Verlag: Fairleigh Dickinson University Press
• Seitenzahl: 288
• Erscheinungstermin: 15. August 2016
• Englisch
• Abmessung: 235mm x 157mm x 22mm
• Gewicht: 622g
• ISBN-13: 9781611479447
• ISBN-10: 1611479444
• Artikelnr.: 45007656

Autorenporträt

Paul Matthew St. Pierre is professor of English at Simon Fraser University, Vancouver.

Inhaltsangabe

List of Illustrations
Acknowledgments
1The Weimar Revolution and German Collaborative Filmmaking
2The Optical Convergence of Theodor Sparkuhl and Ernst Lubitsch
3Karl Freund's Signature Visual Designs in Manifold Collaborations
4Carl Hoffmann and the New Visual Discourse of German Silent Film
5Fritz Arno Wagner, with F. W. Murnau, Fritz Lang, and Arthur Robison
6Fritz Arno Wagner, G. W. Pabst, and the Weimar Zeitgeist
7Günther Rittau, Günther Krampf, Optical Language, and Autonomous
Collaborative Agency
8Guido Seeber's Promotion from Special Effects Technician to
Cinematographic Artist
9Rudolph Maté, Carl Theodor Dreyer, and the Framing Principle of
Cinematography
10Cinematographers as Directors as Cinematographers and the Rebirth of
Civilization
Filmography
Works Cited
Index
About the Author