Civic Performance
Pageantry and Entertainments in Early Modern London
Herausgeber: Finlayson, J. Caitlin; Sen, Amrita
	Civic Performance
Pageantry and Entertainments in Early Modern London
Herausgeber: Finlayson, J. Caitlin; Sen, Amrita
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Civic Performance: Pageantry and Entertainments in Early Modern London brings together a group of essays from across multiple fields of study that examine the socio-cultural, political, economic, and aesthetic dimensions of pageantry in sixteenth and seventeenth-century London.
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					Civic Performance: Pageantry and Entertainments in Early Modern London brings together a group of essays from across multiple fields of study that examine the socio-cultural, political, economic, and aesthetic dimensions of pageantry in sixteenth and seventeenth-century London.				
				Produktdetails
					- Produktdetails
 - Verlag: Routledge
 - Seitenzahl: 270
 - Erscheinungstermin: 12. Februar 2020
 - Englisch
 - Abmessung: 222mm x 145mm x 18mm
 - Gewicht: 475g
 - ISBN-13: 9781138228399
 - ISBN-10: 1138228397
 - Artikelnr.: 52014681
 
- Herstellerkennzeichnung
 - Libri GmbH
 - Europaallee 1
 - 36244 Bad Hersfeld
 - gpsr@libri.de
 
- Verlag: Routledge
 - Seitenzahl: 270
 - Erscheinungstermin: 12. Februar 2020
 - Englisch
 - Abmessung: 222mm x 145mm x 18mm
 - Gewicht: 475g
 - ISBN-13: 9781138228399
 - ISBN-10: 1138228397
 - Artikelnr.: 52014681
 
- Herstellerkennzeichnung
 - Libri GmbH
 - Europaallee 1
 - 36244 Bad Hersfeld
 - gpsr@libri.de
 
J. Caitlin Finlayson is Associate Professor of English Literature at the University of Michigan-Dearborn, USA. Amrita Sen is Associate Professor and Deputy Director of UGC-HRDC at the University of Calcutta, India.
	List of Figures Notes on Contributors Acknowledgements Introduction Part I:
Civic to Global 1. 'To the Honour of our Nation abroad': The Merchant as
Adventurer in Civic Pageantry 2. Locating the Rhinoceros and Indian:
Strangers, Trade, and East India Company in Thomas Heywood's Porta Pietatis
3. "Cleopatra in Her Barge": Anne Boleyn's Coronation Pageants and the
Production of English Cultural Capital 4. The Unspoken Language of Aliens,
or the Spectacular Conversation between Visiting English and Dutch that
Transcended Time and Space Part II: Material Encounters 5.The Social and
Political Dynamics of the Lord Mayor's Show, c. 1550-1700 6. Arion's Harp,
Apollo's Lute: The Instrumental Sounds of London's Lord Mayors' Shows 7.
Financial Encounter Customs: Tradition and Form in London's Civic Pageantry
Part III: Methodologies for Re-viewing Performance 8. The Duke of Lennox
and Civic Entertainments 9. Stephen Harrison's The Arches of Triumph
(1604) and James I's Royal Entry in the London Literary Marketplace 10.
Musical Transformations of the City Soundscape: King James I's Entry into
London in 1604 11. Building a Digital Geospatial Anthology of the Mayoral
Shows Index
	Civic to Global 1. 'To the Honour of our Nation abroad': The Merchant as
Adventurer in Civic Pageantry 2. Locating the Rhinoceros and Indian:
Strangers, Trade, and East India Company in Thomas Heywood's Porta Pietatis
3. "Cleopatra in Her Barge": Anne Boleyn's Coronation Pageants and the
Production of English Cultural Capital 4. The Unspoken Language of Aliens,
or the Spectacular Conversation between Visiting English and Dutch that
Transcended Time and Space Part II: Material Encounters 5.The Social and
Political Dynamics of the Lord Mayor's Show, c. 1550-1700 6. Arion's Harp,
Apollo's Lute: The Instrumental Sounds of London's Lord Mayors' Shows 7.
Financial Encounter Customs: Tradition and Form in London's Civic Pageantry
Part III: Methodologies for Re-viewing Performance 8. The Duke of Lennox
and Civic Entertainments 9. Stephen Harrison's The Arches of Triumph
(1604) and James I's Royal Entry in the London Literary Marketplace 10.
Musical Transformations of the City Soundscape: King James I's Entry into
London in 1604 11. Building a Digital Geospatial Anthology of the Mayoral
Shows Index
List of Figures Notes on Contributors Acknowledgements Introduction Part I:
Civic to Global 1. 'To the Honour of our Nation abroad': The Merchant as
Adventurer in Civic Pageantry 2. Locating the Rhinoceros and Indian:
Strangers, Trade, and East India Company in Thomas Heywood's Porta Pietatis
3. "Cleopatra in Her Barge": Anne Boleyn's Coronation Pageants and the
Production of English Cultural Capital 4. The Unspoken Language of Aliens,
or the Spectacular Conversation between Visiting English and Dutch that
Transcended Time and Space Part II: Material Encounters 5.The Social and
Political Dynamics of the Lord Mayor's Show, c. 1550-1700 6. Arion's Harp,
Apollo's Lute: The Instrumental Sounds of London's Lord Mayors' Shows 7.
Financial Encounter Customs: Tradition and Form in London's Civic Pageantry
Part III: Methodologies for Re-viewing Performance 8. The Duke of Lennox
and Civic Entertainments 9. Stephen Harrison's The Arches of Triumph
(1604) and James I's Royal Entry in the London Literary Marketplace 10.
Musical Transformations of the City Soundscape: King James I's Entry into
London in 1604 11. Building a Digital Geospatial Anthology of the Mayoral
Shows Index
				Civic to Global 1. 'To the Honour of our Nation abroad': The Merchant as
Adventurer in Civic Pageantry 2. Locating the Rhinoceros and Indian:
Strangers, Trade, and East India Company in Thomas Heywood's Porta Pietatis
3. "Cleopatra in Her Barge": Anne Boleyn's Coronation Pageants and the
Production of English Cultural Capital 4. The Unspoken Language of Aliens,
or the Spectacular Conversation between Visiting English and Dutch that
Transcended Time and Space Part II: Material Encounters 5.The Social and
Political Dynamics of the Lord Mayor's Show, c. 1550-1700 6. Arion's Harp,
Apollo's Lute: The Instrumental Sounds of London's Lord Mayors' Shows 7.
Financial Encounter Customs: Tradition and Form in London's Civic Pageantry
Part III: Methodologies for Re-viewing Performance 8. The Duke of Lennox
and Civic Entertainments 9. Stephen Harrison's The Arches of Triumph
(1604) and James I's Royal Entry in the London Literary Marketplace 10.
Musical Transformations of the City Soundscape: King James I's Entry into
London in 1604 11. Building a Digital Geospatial Anthology of the Mayoral
Shows Index







