This book critically examines the music and politics that emerged from the Civil Rights Movement as incredibly important sites and sources of spiritual rejuvenation, social organization, political education, and cultural transformation. The book is primarily preoccupied with that liminal, in-between, and often inexplicable place where black popular music and black popular movements meet and merge.
This book critically examines the music and politics that emerged from the Civil Rights Movement as incredibly important sites and sources of spiritual rejuvenation, social organization, political education, and cultural transformation. The book is primarily preoccupied with that liminal, in-between, and often inexplicable place where black popular music and black popular movements meet and merge.
Reiland Rabaka is an associate professor in the Department of Ethnic Studies at the University of Colorado at Boulder, where he is also an affiliate professor in the Women and Gender Studies Program and a research fellow at the Center for Studies of Ethnicity and Race in America (CSERA). He is the author of several books on W.E.B. Du Bois. He is also the recipient of the Cheikh Anta Diop Distinguished Career Award.
Inhaltsangabe
Chapter 1: The Sociology of the Civil Rights Movement Chapter 2: The Musicology of the Civil Rights Movement Chapter 3: Gospel and the Civil Rights Movement Chapter 4: Rhythm & Blues and the Civil Rights Movement Chapter 5: Rock & Roll and the Civil Rights Movement
Chapter 1: The Sociology of the Civil Rights Movement Chapter 2: The Musicology of the Civil Rights Movement Chapter 3: Gospel and the Civil Rights Movement Chapter 4: Rhythm & Blues and the Civil Rights Movement Chapter 5: Rock & Roll and the Civil Rights Movement
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