Théophile Gautier, Lafcadio Hearn

Clarimonde

• Broschiertes Buch

Produktbeschreibung

Discover Théophile Gautier's chilling masterpiece, "Clarimonde," a cornerstone of vampire fiction and gothic horror. This short story delves into the supernatural, exploring themes of desire, temptation, and the dark allure of the undead. Gautier masterfully crafts an atmosphere of dread and suspense, solidifying "Clarimonde's" place in the canon of classic horror literature. A captivating exploration of the vampire myth, this tale continues to enthrall readers with its evocative prose and unsettling narrative. This meticulously prepared print edition ensures the enduring power of Gautier's vision remains accessible, offering a timeless journey into the heart of gothic darkness. A must-read for enthusiasts of supernatural tales and classic short stories. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Produktdetails

• Verlag: Creative Media Partners, LLC
• Seitenzahl: 28
• Erscheinungstermin: 28. März 2025
• Englisch
• Abmessung: 234mm x 156mm x 2mm
• Gewicht: 54g
• ISBN-13: 9781022949577
• ISBN-10: 1022949578
• Artikelnr.: 74118203

Autorenporträt

Pierre Jules Théophile Gautier (/go¿'tje¿/;[1] French: [pj¿¿ ¿yl teofil gotje]; 30 August 1811 - 23 October 1872) was a French poet, dramatist, novelist, journalist, and art and literary critic. While an ardent defender of Romanticism, Gautier's work is difficult to classify and remains a point of reference for many subsequent literary traditions such as Parnassianism, Symbolism, Decadence and Modernism. He was widely esteemed by writers as disparate as Balzac, Baudelaire, the Goncourt brothers, Flaubert, Pound, Eliot, James, Proust and Wilde. Gautier was born on 30 August 1811 in Tarbes (France), capital of Hautes-Pyrénées département (southwestern France). His father was Jean-Pierre Gautier,[2] a fairly cultured minor government official, and his mother was Antoinette-Adelaïde Cocard.[2] The family moved to Paris in 1814, taking up residence in the ancient Marais district. Gautier's education commenced at the prestigious Collège Louis-le-Grand in Paris (fellow alumni include Voltaire, Charles Baudelaire, Victor Hugo, and the Marquis de Sade), which he attended for three months before being brought home due to illness. Although he completed the remainder of his education at Collège Charlemagne (alumni include Charles Augustin Sainte-Beuve), Gautier's most significant instruction came from his father, who prompted him to become a Latin scholar by age eighteen. While at school, Gautier befriended Gérard de Nerval and the two became lifelong friends. It is through Nerval that Gautier was introduced to Victor Hugo, by then already a well-known, established leading dramatist and author of Hernani. Hugo became a major influence on Gautier and is credited for giving him, an aspiring painter at the time, an appetite for literature. It was at the legendary premiere of Hernani that Gautier is remembered for wearing his anachronistic red doublet. In the aftermath of the 1830 Revolution, Gautier's family experienced hardship and was forced to move to the outskirts of Paris. Deciding to experiment with his own independence and freedom, Gautier chose to stay with friends in the Doyenné district of Paris, living a rather pleasant bohemian life. Towards the end of 1830, Gautier began to frequent meetings of Le Petit Cénacle (The Little Upper Room), a group of artists who met in the studio of Jehan Du Seigneur. The group was a more irresponsible version of Hugo's Cénacle. The group counted among its members the artists Gérard de Nerval, Alexandre Dumas, père, Petrus Borel, Alphonse Brot, Joseph Bouchardy and Philothée O'Neddy (real name Théophile Dondey). Le Petit Cénacle soon gained a reputation for extravagance and eccentricity, but also for being a unique refuge from society.