Classical Music in the German Democratic Republic
Production and Reception
Editors: Frackman, Kyle; Powell, Larson
Classical Music in the German Democratic Republic
Production and Reception
Editors: Frackman, Kyle; Powell, Larson
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Approaches the topic of classical music in the GDR from an interdisciplinary perspective, questioning the assumption that classical music functioned purely as an ideological support for the state.
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Approaches the topic of classical music in the GDR from an interdisciplinary perspective, questioning the assumption that classical music functioned purely as an ideological support for the state.
Produktdetails
- Produktdetails
- Studies in German Literature, Linguistics, and Culture
- Verlag: Boydell & Brewer
- Seitenzahl: 276
- Erscheinungstermin: 15. Juni 2015
- Englisch
- Abmessung: 235mm x 157mm x 21mm
- Gewicht: 576g
- ISBN-13: 9781571139160
- ISBN-10: 1571139168
- Artikelnr.: 41964338
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Studies in German Literature, Linguistics, and Culture
- Verlag: Boydell & Brewer
- Seitenzahl: 276
- Erscheinungstermin: 15. Juni 2015
- Englisch
- Abmessung: 235mm x 157mm x 21mm
- Gewicht: 576g
- ISBN-13: 9781571139160
- ISBN-10: 1571139168
- Artikelnr.: 41964338
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Kyle Frackman, Larson Powell
Introduction: Music and Heritage in the German Democratic Republic
Provincialism, Modernity, and the Classical Heritage: The Administrative
Structure of the GDR and the Situation of Music Production Classicism as
Anti-Fascist Heritage: Realism and Myth in Ernst Hermann Meyer's
Mansfelder Oratorium (1950) Positioning Georg Knepler in the Musicological
Discourse of the GDR Ehrt euren Deutschen Meister: Reproducing Wagner in
the GDR The Embodiment of Collective Memory in Neue Odyssee Marxism and
Feminism in Ruth Berghaus's Staging of Don Giovanni Beyond the Gewandhaus:
Mahler and the GDR Hanns Eisler's Funeral and Cultures of Commemoration in
the GDR Exile-Remigration-Socialist Realism: The Role of Classical Music in
the Works of Paul Dessau "What a Satisfying Task for a Composer!": Paul
Dessau's Music for The German Story (.Du und mancher Kamerad) Friedrich
Schenker and the Third Way A Prism of East German Music: Lothar Voigtländer
Notes on the Contributors Index
Provincialism, Modernity, and the Classical Heritage: The Administrative
Structure of the GDR and the Situation of Music Production Classicism as
Anti-Fascist Heritage: Realism and Myth in Ernst Hermann Meyer's
Mansfelder Oratorium (1950) Positioning Georg Knepler in the Musicological
Discourse of the GDR Ehrt euren Deutschen Meister: Reproducing Wagner in
the GDR The Embodiment of Collective Memory in Neue Odyssee Marxism and
Feminism in Ruth Berghaus's Staging of Don Giovanni Beyond the Gewandhaus:
Mahler and the GDR Hanns Eisler's Funeral and Cultures of Commemoration in
the GDR Exile-Remigration-Socialist Realism: The Role of Classical Music in
the Works of Paul Dessau "What a Satisfying Task for a Composer!": Paul
Dessau's Music for The German Story (.Du und mancher Kamerad) Friedrich
Schenker and the Third Way A Prism of East German Music: Lothar Voigtländer
Notes on the Contributors Index
Introduction: Music and Heritage in the German Democratic Republic
Provincialism, Modernity, and the Classical Heritage: The Administrative
Structure of the GDR and the Situation of Music Production Classicism as
Anti-Fascist Heritage: Realism and Myth in Ernst Hermann Meyer's
Mansfelder Oratorium (1950) Positioning Georg Knepler in the Musicological
Discourse of the GDR Ehrt euren Deutschen Meister: Reproducing Wagner in
the GDR The Embodiment of Collective Memory in Neue Odyssee Marxism and
Feminism in Ruth Berghaus's Staging of Don Giovanni Beyond the Gewandhaus:
Mahler and the GDR Hanns Eisler's Funeral and Cultures of Commemoration in
the GDR Exile-Remigration-Socialist Realism: The Role of Classical Music in
the Works of Paul Dessau "What a Satisfying Task for a Composer!": Paul
Dessau's Music for The German Story (.Du und mancher Kamerad) Friedrich
Schenker and the Third Way A Prism of East German Music: Lothar Voigtländer
Notes on the Contributors Index
Provincialism, Modernity, and the Classical Heritage: The Administrative
Structure of the GDR and the Situation of Music Production Classicism as
Anti-Fascist Heritage: Realism and Myth in Ernst Hermann Meyer's
Mansfelder Oratorium (1950) Positioning Georg Knepler in the Musicological
Discourse of the GDR Ehrt euren Deutschen Meister: Reproducing Wagner in
the GDR The Embodiment of Collective Memory in Neue Odyssee Marxism and
Feminism in Ruth Berghaus's Staging of Don Giovanni Beyond the Gewandhaus:
Mahler and the GDR Hanns Eisler's Funeral and Cultures of Commemoration in
the GDR Exile-Remigration-Socialist Realism: The Role of Classical Music in
the Works of Paul Dessau "What a Satisfying Task for a Composer!": Paul
Dessau's Music for The German Story (.Du und mancher Kamerad) Friedrich
Schenker and the Third Way A Prism of East German Music: Lothar Voigtländer
Notes on the Contributors Index







