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Close-Ups and Long Shots in Modern Chinese Cinemas - Deppman, Hsiu-Chuang
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To understand why a director prefers one type of shot over the other is to explore more than aesthetics: It uncovers assumptions about film as an art of intervention. Close-ups and Long Shots in Modern Chinese Cinemas is the first book to compare these two shots within the cultural, historical, and cinematic traditions that produced them.

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Produktbeschreibung
To understand why a director prefers one type of shot over the other is to explore more than aesthetics: It uncovers assumptions about film as an art of intervention. Close-ups and Long Shots in Modern Chinese Cinemas is the first book to compare these two shots within the cultural, historical, and cinematic traditions that produced them.
Autorenporträt
Hsiu-Chuang Deppman is professor of Chinese and cinema studies at Oberlin College. Her research interests include history of cinema, film adaptation, documentary, media studies, comparative literature, and modern Chinese fiction. She is the author of Adapted for the Screen: The Cultural Politics of Modern Chinese Fiction and Film (2010) and has published on Chinese film, literature, and media in refereed journals and edited volumes.