Perhaps the most prolific and exacting reader of his generation, Garrett Stewart's first book of essays - on close analysis of novels, literary theory, conceptual art, and cinema - is joined by a new interview that helps account for the range and delicacy of his critical acumen.
Perhaps the most prolific and exacting reader of his generation, Garrett Stewart's first book of essays - on close analysis of novels, literary theory, conceptual art, and cinema - is joined by a new interview that helps account for the range and delicacy of his critical acumen.
Garrett Stewart is the James O. Freedman Professor of Letters at the University of Iowa, USA, having previously held teaching appointments at Boston University, the University of California at Santa Barbara, Stanford University, Princeton University, and the Universities of London (Queen Mary), Konstanz, and Fribourg (Switzerland). He is the author of 18 books, including Novel Violence (2009), which was awarded the Perkins Prize for the best book on narrative (International Society for the Study of Narrative), and Between Film and Screen (1999), which was a short-listed finalist for the Kraszna-Krausz Moving Image Book Award. In 2010 he was elected to the American Academy of Arts and Sciences.
Inhaltsangabe
Introduction - Reading Prismatically: A Spectrum Analysis David LaRocca I. Revisitations 1. Coppola's Conrad: The Repetitions of Complicity 2. The Foreign Offices of British Fiction 3. The Avoidance of Stanley Cavell II. Renewed Ventures 4. Gerard Manley Hopkins' Phonetic Script 5. Charles Dickens and the Plotting of Punctuation 6. John le Carré's Cinematographic Style 7. Negative Imprints in Conceptual Art III. Revenant Revisions: "Ghost Reading" 8. Narrative Afterwording: Too Close for Closure A Dialogue in Diffraction Garrett Stewart & David LaRocca Notes on Contributors Index
Introduction - Reading Prismatically: A Spectrum Analysis David LaRocca I. Revisitations 1. Coppola's Conrad: The Repetitions of Complicity 2. The Foreign Offices of British Fiction 3. The Avoidance of Stanley Cavell II. Renewed Ventures 4. Gerard Manley Hopkins' Phonetic Script 5. Charles Dickens and the Plotting of Punctuation 6. John le Carré's Cinematographic Style 7. Negative Imprints in Conceptual Art III. Revenant Revisions: "Ghost Reading" 8. Narrative Afterwording: Too Close for Closure A Dialogue in Diffraction Garrett Stewart & David LaRocca Notes on Contributors Index
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