In this in-depth analysis of the use of clothing in character design, the author provides examples and explanations about noteworthy characters who used their appearance to further their fame in early Hollywood films.
In this in-depth analysis of the use of clothing in character design, the author provides examples and explanations about noteworthy characters who used their appearance to further their fame in early Hollywood films.
Lora Ann Sigler is a professor emerita of art history at California State University. She is a portrait/landscape artist and designer living in San Pedro, California.
Inhaltsangabe
Table of Contents Acknowledgments Preface Introduction 1. We Flutter to the Flickers 2. The Look of Life 3. The Look of (Foreign) Life 4. Warner's, We Have a Problem 5. Strangers in a Strange Land 6. We're Funny That Way 7. Past Imperfect 8. That Sounds About Right! 9. Where Did You Get That Frock? Epilogue: (Ad)dressing the Present Appendices A: Busby Berkeley B: The Thomas Mooney Case C: The 1919 Entertainment Strike D: On the Flip Side E: Photoplay (August 1925) Glossary Chapter Notes Bibliography Index
Table of Contents Acknowledgments Preface Introduction 1. We Flutter to the Flickers 2. The Look of Life 3. The Look of (Foreign) Life 4. Warner's, We Have a Problem 5. Strangers in a Strange Land 6. We're Funny That Way 7. Past Imperfect 8. That Sounds About Right! 9. Where Did You Get That Frock? Epilogue: (Ad)dressing the Present Appendices A: Busby Berkeley B: The Thomas Mooney Case C: The 1919 Entertainment Strike D: On the Flip Side E: Photoplay (August 1925) Glossary Chapter Notes Bibliography Index
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