This book brings together researchers with cognitive-scientific and literary backgrounds to present innovative research in all three variations on the possible interactions between literary studies and cognitive science. The tripartite structure of the volume reflects a more ambitious conception of what cognitive approaches to literature are and could be than is usually encountered, and thus aims both to map out and to advance the field. The first section corresponds to what most people think of as "cognitive poetics" or "cognitive literary studies": the study of literature by literary…mehr
This book brings together researchers with cognitive-scientific and literary backgrounds to present innovative research in all three variations on the possible interactions between literary studies and cognitive science. The tripartite structure of the volume reflects a more ambitious conception of what cognitive approaches to literature are and could be than is usually encountered, and thus aims both to map out and to advance the field. The first section corresponds to what most people think of as "cognitive poetics" or "cognitive literary studies": the study of literature by literary scholars drawing on cognitive-scientific methods, findings, and/or debates to yield insights into literature. The second section demonstrates that literary scholars needn't only make use of cognitive science to study literature, but can also, in a reciprocally interdisciplinary manner, use a cognitively informed perspective on literature to offer benefits back to the cognitive sciences. Finally, the third section, "literature in cognitive science", showcases some of the ways in which literature can be a stimulating object of study and a fertile testing ground for theories and models, not only to literary scholars but also to cognitive scientists, who here engage with some key questions in cognitive literary studies with the benefit of their in-depth scientific knowledge and training.
Michael Burke is Professor of Rhetoric at University College Roosevelt (Utrecht University). He is the author of Literary Reading Cognition and Emotion: An Exploration of the Oceanic Mind (2011). He has published numerous chapters and articles on the topic of cognitive literary science. His areas of interest also include classical rhetoric, stylistics, and pragmatics. Emily T. Troscianko is a Research Associate in the Faculty of Medieval and Modern Languages at the University of Oxford, and in 2014-15 was a Knowledge Exchange Fellow at the Oxford Research Centre in the Humanities, collaborating with Beat, the leading UK eating disorders charity. The book from her doctoral thesis, Kafka's cognitive realism, came out with Routledge in 2014, and she is now working at the intersection of the cognitive and medical humanities, while co-authoring, with Susan Blackmore, the third edition of the psychology textbook Consciousness: An Introduction.
Inhaltsangabe
* Introduction: A Window on to the Landscape of Cognitive Literary Science * Emily T. Troscianko and Michael Burke * SECTION I: LITERATURE THROUGH A COGNITIVE LENS * Chapter 1: Scientific Concepts in Literary Studies: Towards Criteria for the Meeting of Literature and Cognitive Science * Marcus Hartner * Chapter 2: Towards a 'Natural' Bond of Cognitive and Affective Narratology * Caroline Pirlet and Andreas Wirag * Chapter 3: 'Annihilation of Self': The Cognitive Challenge of the Sublime * David Miall * Chapter 4: The Space between Your Ears: Construal Level Theory, Cognitive Science, and Science Fiction * James Carney * Chapter 5: Patterns of Thought: Narrative and Verse * Brian Boyd * SECTION II: COGNITION THROUGH A LITERARY LENS * Chapter 6: Simulation and the Structure of Emotional Memory: Learning from Arthur Miller's After the Fall. * Patrick Colm Hogan * Chapter 7: Cognitive Science and the Double Vision of Fiction * Merja Polvinen * Chapter 8: Fantastic Cognition * Karin Kukkonen * Chapter 9: Feedback in Reading and Disordered Eating * Emily T. Troscianko * Chapter 10: Animal Minds across Discourse Domains * David Herman * SECTION III: LITERATURE AND COGNITION IN COGNITIVE SCIENCE * Chapter 11: Embodied Dynamics in Literary Experience * Raymond W. Gibbs, Jr. * Chapter 12: How Readers' Lives Affect Narrative Experiences * Richard J. Gerrig and Micah L. Mumper * Chapter 13: On Truth and Fiction * Keith Oatley * Chapter 14: Under Pressure: Norms, Rules, and Coercion in Linguistic Analyses and Literary Readings * Alexander Bergs * Chapter 15: Affective and Aesthetic Processes in Literary Reading: A Neurocognitive Poetics Perspective * Arthur M. Jacobs
* Introduction: A Window on to the Landscape of Cognitive Literary Science * Emily T. Troscianko and Michael Burke * SECTION I: LITERATURE THROUGH A COGNITIVE LENS * Chapter 1: Scientific Concepts in Literary Studies: Towards Criteria for the Meeting of Literature and Cognitive Science * Marcus Hartner * Chapter 2: Towards a 'Natural' Bond of Cognitive and Affective Narratology * Caroline Pirlet and Andreas Wirag * Chapter 3: 'Annihilation of Self': The Cognitive Challenge of the Sublime * David Miall * Chapter 4: The Space between Your Ears: Construal Level Theory, Cognitive Science, and Science Fiction * James Carney * Chapter 5: Patterns of Thought: Narrative and Verse * Brian Boyd * SECTION II: COGNITION THROUGH A LITERARY LENS * Chapter 6: Simulation and the Structure of Emotional Memory: Learning from Arthur Miller's After the Fall. * Patrick Colm Hogan * Chapter 7: Cognitive Science and the Double Vision of Fiction * Merja Polvinen * Chapter 8: Fantastic Cognition * Karin Kukkonen * Chapter 9: Feedback in Reading and Disordered Eating * Emily T. Troscianko * Chapter 10: Animal Minds across Discourse Domains * David Herman * SECTION III: LITERATURE AND COGNITION IN COGNITIVE SCIENCE * Chapter 11: Embodied Dynamics in Literary Experience * Raymond W. Gibbs, Jr. * Chapter 12: How Readers' Lives Affect Narrative Experiences * Richard J. Gerrig and Micah L. Mumper * Chapter 13: On Truth and Fiction * Keith Oatley * Chapter 14: Under Pressure: Norms, Rules, and Coercion in Linguistic Analyses and Literary Readings * Alexander Bergs * Chapter 15: Affective and Aesthetic Processes in Literary Reading: A Neurocognitive Poetics Perspective * Arthur M. Jacobs
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