Collections, Exhibitions and Museums in Portugal and Its Empire
From the 18th to the 20th Century
Herausgeber: Vicente, Filipa Lowndes; de Oliveira, Leonor
	Collections, Exhibitions and Museums in Portugal and Its Empire
From the 18th to the 20th Century
Herausgeber: Vicente, Filipa Lowndes; de Oliveira, Leonor
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Focusing on the period between the beginning of the eighteenth century and the late twentieth century, this edited volume examines the histories of objects, museums, exhibitions, and collections in Portugal or outside Portugal but representing Portugal, or related to it through colonial relationships
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					Focusing on the period between the beginning of the eighteenth century and the late twentieth century, this edited volume examines the histories of objects, museums, exhibitions, and collections in Portugal or outside Portugal but representing Portugal, or related to it through colonial relationships				
				Produktdetails
					- Produktdetails
 - Verlag: Taylor & Francis
 - Seitenzahl: 260
 - Erscheinungstermin: 18. Februar 2025
 - Englisch
 - Abmessung: 246mm x 174mm
 - Gewicht: 660g
 - ISBN-13: 9781032843292
 - ISBN-10: 1032843292
 - Artikelnr.: 71747008
 
- Herstellerkennzeichnung
 - Libri GmbH
 - Europaallee 1
 - 36244 Bad Hersfeld
 - gpsr@libri.de
 
- Verlag: Taylor & Francis
 - Seitenzahl: 260
 - Erscheinungstermin: 18. Februar 2025
 - Englisch
 - Abmessung: 246mm x 174mm
 - Gewicht: 660g
 - ISBN-13: 9781032843292
 - ISBN-10: 1032843292
 - Artikelnr.: 71747008
 
- Herstellerkennzeichnung
 - Libri GmbH
 - Europaallee 1
 - 36244 Bad Hersfeld
 - gpsr@libri.de
 
Filipa Lowndes Vicente is a researcher at the Institute of Social Sciences of the University of Lisbon, Portugal. Leonor de Oliveira is a collaborating researcher at the Art History Institute of the School of Social Sciences and Humanities-Universidade NOVA de Lisboa (IHA-NOVA FCSH/ IN2PAST), Portugal.
	Part I: Artistic and Natural History Collections in the Eighteenth Century:
Between Lisbon, Brazil, China and India 1. The Empire in Transition and
History Painting from Lisbon to Brazil 2. Travelling and Collecting:
Natural History in Brazil During the Enlightenment 3. The Painting
Collections of the Dukes of Aveiro in the Eighteenth Century, with a Note
on the Acquisitions of an English Gentleman 4. Asian Material Culture in
the Estate of Alexandre Metelo de Sousa Meneses, Ambassador of King John V
to China and President of the Overseas Council Part II: Exhibiting
Identities in the Portuguese Colonial Empire (1860-1999) 5. Exhibitions and
Museums in Goa: The Making of Visible Identities (1860-1952) 6. Creating a
Portuguese Imperial Identity: Art Exhibitions in the Metropolis and in the
African Colonies 7. National Identity, Modernity and Aspirations to
Internationalisation in the 1950s: The Portuguese Fine Arts at
International Exhibitions 8. Museum-Making in Portuguese Macao: The
Creation of the Luís de Camões Museum from Colonial to Post-colonial Times
Part III: The Displaying of Art and History in the First Half of the
Twentieth Century 9. Museums and the Art Reforms of the First Portuguese
Republic (1910-1926) 10. Heroes on Display: The (Re)Construction and
Exhibition of the Tomb of the Legendary Hero Egas Moniz in Early
Twentieth-Century Portugal 11. Anti-semite and Anti-modern Fractures in the
Portugal of Salazar: The Case of Portrait Painter and Museum Director
Eduardo Malta (1933-1965) 12. "Worthy of Enabling and Support." the
Exhibitions of the Lisbon Buchholz Bookshop and Their Critical Reception in
the Context of the Second World War
	Between Lisbon, Brazil, China and India 1. The Empire in Transition and
History Painting from Lisbon to Brazil 2. Travelling and Collecting:
Natural History in Brazil During the Enlightenment 3. The Painting
Collections of the Dukes of Aveiro in the Eighteenth Century, with a Note
on the Acquisitions of an English Gentleman 4. Asian Material Culture in
the Estate of Alexandre Metelo de Sousa Meneses, Ambassador of King John V
to China and President of the Overseas Council Part II: Exhibiting
Identities in the Portuguese Colonial Empire (1860-1999) 5. Exhibitions and
Museums in Goa: The Making of Visible Identities (1860-1952) 6. Creating a
Portuguese Imperial Identity: Art Exhibitions in the Metropolis and in the
African Colonies 7. National Identity, Modernity and Aspirations to
Internationalisation in the 1950s: The Portuguese Fine Arts at
International Exhibitions 8. Museum-Making in Portuguese Macao: The
Creation of the Luís de Camões Museum from Colonial to Post-colonial Times
Part III: The Displaying of Art and History in the First Half of the
Twentieth Century 9. Museums and the Art Reforms of the First Portuguese
Republic (1910-1926) 10. Heroes on Display: The (Re)Construction and
Exhibition of the Tomb of the Legendary Hero Egas Moniz in Early
Twentieth-Century Portugal 11. Anti-semite and Anti-modern Fractures in the
Portugal of Salazar: The Case of Portrait Painter and Museum Director
Eduardo Malta (1933-1965) 12. "Worthy of Enabling and Support." the
Exhibitions of the Lisbon Buchholz Bookshop and Their Critical Reception in
the Context of the Second World War
Part I: Artistic and Natural History Collections in the Eighteenth Century:
Between Lisbon, Brazil, China and India 1. The Empire in Transition and
History Painting from Lisbon to Brazil 2. Travelling and Collecting:
Natural History in Brazil During the Enlightenment 3. The Painting
Collections of the Dukes of Aveiro in the Eighteenth Century, with a Note
on the Acquisitions of an English Gentleman 4. Asian Material Culture in
the Estate of Alexandre Metelo de Sousa Meneses, Ambassador of King John V
to China and President of the Overseas Council Part II: Exhibiting
Identities in the Portuguese Colonial Empire (1860-1999) 5. Exhibitions and
Museums in Goa: The Making of Visible Identities (1860-1952) 6. Creating a
Portuguese Imperial Identity: Art Exhibitions in the Metropolis and in the
African Colonies 7. National Identity, Modernity and Aspirations to
Internationalisation in the 1950s: The Portuguese Fine Arts at
International Exhibitions 8. Museum-Making in Portuguese Macao: The
Creation of the Luís de Camões Museum from Colonial to Post-colonial Times
Part III: The Displaying of Art and History in the First Half of the
Twentieth Century 9. Museums and the Art Reforms of the First Portuguese
Republic (1910-1926) 10. Heroes on Display: The (Re)Construction and
Exhibition of the Tomb of the Legendary Hero Egas Moniz in Early
Twentieth-Century Portugal 11. Anti-semite and Anti-modern Fractures in the
Portugal of Salazar: The Case of Portrait Painter and Museum Director
Eduardo Malta (1933-1965) 12. "Worthy of Enabling and Support." the
Exhibitions of the Lisbon Buchholz Bookshop and Their Critical Reception in
the Context of the Second World War
				Between Lisbon, Brazil, China and India 1. The Empire in Transition and
History Painting from Lisbon to Brazil 2. Travelling and Collecting:
Natural History in Brazil During the Enlightenment 3. The Painting
Collections of the Dukes of Aveiro in the Eighteenth Century, with a Note
on the Acquisitions of an English Gentleman 4. Asian Material Culture in
the Estate of Alexandre Metelo de Sousa Meneses, Ambassador of King John V
to China and President of the Overseas Council Part II: Exhibiting
Identities in the Portuguese Colonial Empire (1860-1999) 5. Exhibitions and
Museums in Goa: The Making of Visible Identities (1860-1952) 6. Creating a
Portuguese Imperial Identity: Art Exhibitions in the Metropolis and in the
African Colonies 7. National Identity, Modernity and Aspirations to
Internationalisation in the 1950s: The Portuguese Fine Arts at
International Exhibitions 8. Museum-Making in Portuguese Macao: The
Creation of the Luís de Camões Museum from Colonial to Post-colonial Times
Part III: The Displaying of Art and History in the First Half of the
Twentieth Century 9. Museums and the Art Reforms of the First Portuguese
Republic (1910-1926) 10. Heroes on Display: The (Re)Construction and
Exhibition of the Tomb of the Legendary Hero Egas Moniz in Early
Twentieth-Century Portugal 11. Anti-semite and Anti-modern Fractures in the
Portugal of Salazar: The Case of Portrait Painter and Museum Director
Eduardo Malta (1933-1965) 12. "Worthy of Enabling and Support." the
Exhibitions of the Lisbon Buchholz Bookshop and Their Critical Reception in
the Context of the Second World War







