Colomba - Merimee, Prosper
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Prosper Merimee was a 19th century French historian, playwright, short story writer and archaeologist. His best-known work was the novella Carmen, which later became the opera Carmen by Bizet. Nevil and his daughter have returned from a trip to Italy. When Lydia purchases a small painting and then finds out she has been swindled the action begins. Colomba is the story of a beautiful young Corsican girl, single-minded in her thirst for revenge. She convinces her returning soldier-brother that he must avenge their father's murder by ancient enemies of the family.

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Produktbeschreibung
Prosper Merimee was a 19th century French historian, playwright, short story writer and archaeologist. His best-known work was the novella Carmen, which later became the opera Carmen by Bizet. Nevil and his daughter have returned from a trip to Italy. When Lydia purchases a small painting and then finds out she has been swindled the action begins. Colomba is the story of a beautiful young Corsican girl, single-minded in her thirst for revenge. She convinces her returning soldier-brother that he must avenge their father's murder by ancient enemies of the family.
Autorenporträt
Prosper M rim e (28 September 1803 23 September 1870) was a Romanticist French writer and one of the forefathers of the novella, a short novel or long short story. He was also a well-known archaeologist and historian, as well as a pivotal role in architectural preservation history. He is best known for his novella Carmen, which inspired Bizet's opera Carmen. He studied Russian, a language he adored, and translated the works of several prominent Russian authors, including Pushkin and Gogol, into French. He was the inspector of French historical monuments from 1830 to 1860, and was in charge of the protection of many historic structures, including the ancient stronghold of Carcassonne and the restoration of the fa ade of Notre-Dame de Paris. He found, with the novelist George Sand, the sequence of tapestries known as The Lady and the Unicorn and arranged for their preservation. He was involved in the establishment of the Mus e National du Moyen Era in Paris, where the tapestries are presently housed. His name appears on the official database of French monuments, the Base M rim e.