With a broad scope across the millennia, from high literature to popular culture, between page and stage and screen, this Very Short Introduction considers comedy not only as a literary genre, but also as a broader impulse at work in many other historical and contemporary forms of satire, parody, and play.
With a broad scope across the millennia, from high literature to popular culture, between page and stage and screen, this Very Short Introduction considers comedy not only as a literary genre, but also as a broader impulse at work in many other historical and contemporary forms of satire, parody, and play.
Matthew Bevis is a Fellow in English at Keble College, University of Oxford. His publications include Lives of Victorian Literary Figures: Tennyson (Pickering & Chatto, 2003), Some Versions of Empson, ed. (OUP, 2007), and The Art of Eloquence: Byron, Dickens, Tennyson, Joyce (OUP, 2007). He was awarded a Philip Leverhulme Prize for his research in 2007.
Inhaltsangabe
Introduction 1: In the beginning... 2: In and out of character 3: Plotting mischief 4: Underdogs 5: Getting physical 6: Taking liberties 7: Beyond a joke 8: Endgames Conclusion
Introduction 1: In the beginning... 2: In and out of character 3: Plotting mischief 4: Underdogs 5: Getting physical 6: Taking liberties 7: Beyond a joke 8: Endgames Conclusion
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