WINNER: 2019 Marjorie Weston Emerson Award from the Mozart Society of America A bold, restorative vision of Mozart's works, and Western art music generally, as manifestations of an idealism rooted in the sociable nature of humans.
WINNER: 2019 Marjorie Weston Emerson Award from the Mozart Society of America A bold, restorative vision of Mozart's works, and Western art music generally, as manifestations of an idealism rooted in the sociable nature of humans.
EDMUND J. GOEHRING is Professor of Musicology at the University of Western Ontario, Canada.
Inhaltsangabe
Introduction: Setting the Stage, and Then Exiting It On Critique; or, Two Paths through the Art-Critical World On Transcendence; or, Mozart among the Neoplatonists, Present and Past On Intention On Being On Chance and Necessity On Ambiguity On Mimesis On Pleasure On Concepts and Culture The Flaws in the Finale Conclusion: An Other Modernism? Notes Bibliography Index
Introduction: Setting the Stage, and Then Exiting It On Critique; or, Two Paths through the Art-Critical World On Transcendence; or, Mozart among the Neoplatonists, Present and Past On Intention On Being On Chance and Necessity On Ambiguity On Mimesis On Pleasure On Concepts and Culture The Flaws in the Finale Conclusion: An Other Modernism? Notes Bibliography Index
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