Conducting and Rehearsing the Instrumental Music Ensemble is the most comprehensive guide on the rehearsalprocess for conducting instrumental music ensembles. Ideal for the advanced instrumental music conductor seeking to look beyond basic conducting technique, this work breaks the multidimensional activity of working with an ensemble, orchestra or band into its constituent components.
Conducting and Rehearsing the Instrumental Music Ensemble is the most comprehensive guide on the rehearsalprocess for conducting instrumental music ensembles. Ideal for the advanced instrumental music conductor seeking to look beyond basic conducting technique, this work breaks the multidimensional activity of working with an ensemble, orchestra or band into its constituent components.
John F. Colson is professor emeritus of Music at South Dakota State University. He has also been the conductor of the South Dakota State University-Civic Symphony Orchestra for 34 years.
Inhaltsangabe
Preface Part I: The Rehearsal Scenario Chapter 1: The Rehearsal Scenario: Infrastructure and Process Chapter 2: Creating the Rehearsal Environment and Climate Chapter 3: The Ten Essentials of the Rehearsal Process Scenario Part II: The Conductor In The Rehearsal Process Chapter 4: Conducting Technique Chapter 5: Score Study, Music Imagery and Inner Singing Chapter 6: Rehearsal Segments and Procedures Chapter 7: An Integrated Approach to Rehearsing Part III: Technical Priorities And Teaching Strategies Chapter 8: Intonation and Tuning Chapter 9: Rhythms and Rhythm Patterns Chapter 10: Ensemble Sonority: Tone, Balance, Blend, Color and Texture Chapter 11: Articulation and Bowing Part IV: Musical Priorities And Teaching Strategies Chapter 12: Tempo and Ensemble Precision Chapter 13: Phrasing and the Musical Line Chapter 14: Style and Musical Interpretation Chapter 15: Dynamics, Nuances and Musical Expression Part V: The Conductor In The 21st Century Chapter 16: Conducting and Rehearsing Contemporary Music Chapter 17: Conductor Profile and Self-Evaluation Chapter 18: From Rehearsal Process to Concert Performance Appendix A: Score Study and Program Building with Standard Repertoire [Online] Appendix B: An Outline of Conducting and Rehearsing Problems Appendix C: An Outline of Technical Problems Encountered in the Ensemble Rehearsal Process Appendix D: Instrumental Techniques, Intonation Problems/Solutions and Special Effects for Individual Instruments plus Contemporary Music Special Effects and the Notation Bibliography Appendix E: Conducting/Rehearsing Videos Recommended Appendix F: Student Project Evaluations (Conducting/Rehearsing) Appendix G: Listening and Score Study Analysis Assignment Forms Addendum I: Creating a Rehearsal Process (Lab) Environment in the Conducting Curriculum Addendum II: Possible Class Activities, Discussions, Demonstrations, Projects and Assignments for Advanced Conductors Bibliography About the Author
Preface Part I: The Rehearsal Scenario Chapter 1: The Rehearsal Scenario: Infrastructure and Process Chapter 2: Creating the Rehearsal Environment and Climate Chapter 3: The Ten Essentials of the Rehearsal Process Scenario Part II: The Conductor In The Rehearsal Process Chapter 4: Conducting Technique Chapter 5: Score Study, Music Imagery and Inner Singing Chapter 6: Rehearsal Segments and Procedures Chapter 7: An Integrated Approach to Rehearsing Part III: Technical Priorities And Teaching Strategies Chapter 8: Intonation and Tuning Chapter 9: Rhythms and Rhythm Patterns Chapter 10: Ensemble Sonority: Tone, Balance, Blend, Color and Texture Chapter 11: Articulation and Bowing Part IV: Musical Priorities And Teaching Strategies Chapter 12: Tempo and Ensemble Precision Chapter 13: Phrasing and the Musical Line Chapter 14: Style and Musical Interpretation Chapter 15: Dynamics, Nuances and Musical Expression Part V: The Conductor In The 21st Century Chapter 16: Conducting and Rehearsing Contemporary Music Chapter 17: Conductor Profile and Self-Evaluation Chapter 18: From Rehearsal Process to Concert Performance Appendix A: Score Study and Program Building with Standard Repertoire [Online] Appendix B: An Outline of Conducting and Rehearsing Problems Appendix C: An Outline of Technical Problems Encountered in the Ensemble Rehearsal Process Appendix D: Instrumental Techniques, Intonation Problems/Solutions and Special Effects for Individual Instruments plus Contemporary Music Special Effects and the Notation Bibliography Appendix E: Conducting/Rehearsing Videos Recommended Appendix F: Student Project Evaluations (Conducting/Rehearsing) Appendix G: Listening and Score Study Analysis Assignment Forms Addendum I: Creating a Rehearsal Process (Lab) Environment in the Conducting Curriculum Addendum II: Possible Class Activities, Discussions, Demonstrations, Projects and Assignments for Advanced Conductors Bibliography About the Author
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