McElheran believes that an experienced conductor is one in whom detection, diagnosis, and remedy of a problem take place simultaneously. This book gives valuable hints about these three basic conductorial functions from the viewpoint of chorus and orchestra alike. McElheran leads the student toward mastery of the problems at hand, with firmness and gentle humour.
McElheran believes that an experienced conductor is one in whom detection, diagnosis, and remedy of a problem take place simultaneously. This book gives valuable hints about these three basic conductorial functions from the viewpoint of chorus and orchestra alike. McElheran leads the student toward mastery of the problems at hand, with firmness and gentle humour.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Brock McElheran was a conductor and professor at the Crane School of Music at Potsdam, the State University of New York. During his active career he prepared choruses for many of the world's leading conductors, including Eugene Ormandy, Robert Shaw and Zubin Mehta.
Inhaltsangabe
Foreword Preface to the third edition Preface to the revised edition Preface to the first edition Inspiration Other studies Conducting technique - general The baton Odds and ends Beat patterns - theory Beat patterns - specific The left hand Dynamics, accents, phrasing, tempo, character Cues Off-beat cues, accents, and syncopations Conducting to records More odds and ends Starts and stops Subdivision and 'merging' Moulding the music Fermatas Ears Nerves Thoughts and interpretation Some rehearsal suggestions Solos and recitatives Changing beat units The avant-garde The concert Non-musical chores On teaching conducting Additions and amplifications for the third edition Index
Foreword Preface to the third edition Preface to the revised edition Preface to the first edition Inspiration Other studies Conducting technique - general The baton Odds and ends Beat patterns - theory Beat patterns - specific The left hand Dynamics, accents, phrasing, tempo, character Cues Off-beat cues, accents, and syncopations Conducting to records More odds and ends Starts and stops Subdivision and 'merging' Moulding the music Fermatas Ears Nerves Thoughts and interpretation Some rehearsal suggestions Solos and recitatives Changing beat units The avant-garde The concert Non-musical chores On teaching conducting Additions and amplifications for the third edition Index
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